If you enjoy the beauty of well-crafted post-production visual effects lulling you to a hypnotic stupor, then this is the undemanding film for you. If not, you could also catch up on your email while pretending to watch it. Either way, you know that a talented After Effects artist made a day-rate to slap on all the aesthetic milestones of the late 90s - from jittery faux 8MM to film burn, dust and plenty of noise.As if spawn from Gus Van Sant's forehead, this movie follows attractive faux-teens around as they awkwardly attempt to converse through unscripted dialogue. On the plus side, all of these 20-somethings are talented actors, and they push through this sorry morass of nothing like knives through hot, buttery glue. On the other hand, like sailing through a sea of mucilaginous kreplach, it takes just short of forever to putter through to something like a narrative conclusion. But make no mistake - the termination of what passes for a story in "Glue" is not a climax, but more of a but an exhausted collapse. With little in the way of dialogue to pollute the vacuum of story in this movie, it's a wonder any of the actors didn't fall to its toxic tediousness.

Although the film does drag in places and there are scenes that really don't connect to the story line (e.g. the camping trip), I'm impressed by the overall coherence of the structure given its improvisational approach. The cast were excellent in portraying the ennui of adolescents in the middle of nowhere (to steal the film's subtitle), and if anything, the acting is understated--a rarity for the form. The cinematography, though, is what really impressed me. Not radically original by any stretch (the opening sequence reminded me of Van Sant), but effective in setting the mood of the piece.What struck me most is the impressionistic nature of the film and how the fragments coalesce into the whole, which is something that rarely works for me. I'll use this in my creative writing classes to teach this impressionistic approach, but for narrative structure, I must go back to more conventional films, like "Y Tu Mama Tambien."

I attended the North American premiere of "Glue" at the Toronto International Film Festival. In a phrase, it's Larry Clark meets Gus Van Sant. But I say that in only the most complimentary of terms. The camera basically follows a 15-year old as he discovers himself. He wonders about his physical development, compares himself to his buddy, and begins to explore his sexuality. The barren expanse of Patagonia is the backdrop, the music of The Violent Femmes (who donated the songs gratis) the appropriately angst-ridden soundtrack.What makes it so different from most American films is that it's all just so natural. No judgments are made. We only observe through the lens of cinematographer Natasha Braier, as well as writer/director/producer Alexis Dos Santos, who did much of the camera-work himself. It's basically about mid-adolescence told, via voice-over, from the point of view of Lucas (Nahuel Perez Biscayart). Most amazingly, the entire film is improvised. Dos Santos held a Q&A afterward and said that he wrote virtually no dialog at all. There was a 17-page script basically outlining the action. But the three lead actors improvised from start to finish. As it turns out, all three had attended the same acting classes where they learned improv, so they were well-versed in the art and were already friends. And it shows. The chemistry between the teens evokes those awkward years as effectively as any film I've seen.I asked Nahuel what his most difficult scene was and what was his favorite. I won't get too specific, but he most enjoyed some of the more physical aspects of the relationships he develops with his friends. He was quite honest and his matter-of-fact attitude was endearing. I met him afterward and he was polite and self-confident. When I walked up and told him what a good job he did, he thanked me with the look of a pro. He is from Argentina but speaks decent English. In spite of his young age, he has done 9 films and is something of a teen idol in South America. In the States he'd likely be one of the most sought-after young actors in the business.If coming-of-age films have become a bit worn in the hands of Hollywood, "Glue" will serve as inspiration and provocation to American filmmakers. It's Larry Clark in Spanish. But sweet and non-judgmental. It will leave you with a smile on your face.

I saw this film as it premiered at the Rotterdam Festival. It is a beautifully judged rendering of a teenager's dysfunctional life at home and sexual experimentation with friends. Every scene is perfectly pitched and rife with playful directorial invention such as the main character's (Lucas?) idle toying with the 'monkey with banana' toy in the girl's bedroom and the 'open/closed' game and his mother's English lesson earlier - there are many examples. The direction of the subject matter is fresh, sensitive, mature and never contrived, indulgent or heavy handed. The camera work is some of the best DV work I've ever seen, artful, free, fluid and instinctive.Most impressive is how every role is perfectly cast, particularly the teenagers (although I may have had initial reservations about the father, I was sufficiently convinced by the end). The central character is realised by a soulful performance from the beautiful quirky looking actor. He has the most subtly expressive face, at once mischievous and vulnerable.It is a fine fearless debut brimming with talent, good taste and a big beating heart that transcends it's meagre budget.