...do I need to say more? I feel like that should be enough. Fine. More. Her best movie? No, but I gave it a 9 to offset the mouth breathers (NO NUDITY--SUX)...but, while I feel it's not her best by a long shot, I doubt many others could have pulled off the premise and its attendant consequences. Bonus, John Carroll Lynch (look him up), veteran character actor, is asked for so much more in this film than I've seen asked of him before...and he delivers. There's an intense scene near the end...it's honestly worth the price of admission. Didn't know he had it in him. Watch it. You won't be disappointed.

It's kind tough to say that, unless you are talking about the beauty inside of course. Talking about deciding the pretty one in twins that is. In this case it seems to be important who is who. The main actress does a great job conveying two different characters and "playing" both parts sort of. The inciting incident happens quite early, so most of you will already know why it's going to be tough for one of them to live their life in the "shadow" of the other.Being in someone else's shoes or just trying to imagine how that would be like is different. You might think that someone else's life is easy and great, but you never know until you experience it. Though if you do the deceiving factor might be that big, that there is no escape from that. Nice drama with good actors then

***MAY CONTAIN SPOILER*** Why would he feel cheated when the real Amanda never gave him the time of the day and had always been a bitch to him??? He was in-love since the day they met??? Really?? Not when Lorelle started to be nice to him and decided to not kick him out of the apartment? I can get Lorelle falling for him because Lorelle do not know anyone in the world and he's like the first guy she met out of town. Anyway, I think it's an interesting plot for a movie and I think they've successfully told the story. Everything seem plausible and only flaw I find is that of this Basel guy who they try to portray as sensitive guy but actually annoying and not cute.

The Pretty One is a pleasant indie "dramedy" cooked with the habitual ingredients from the genre: a simple screenplay, but not lacking of some deepness; funny characters who are too picturesque to exist in the real world; and a narrative sensibility which cunningly occupies the intersection between art-house cinema and the commercial one. That description might sound a bit cynical, but it doesn't darken my appreciation for the various pros of The Pretty One, which I liked pretty much despite some forced details from the screenplay and its kinda cloying manufacture. To start with, the performances from Zoe Kazan and Jake Johnson are very good. I always like those actors' work, even though they tend to play the same character over and over again (Kazan, adorable "Phoebe", and Johnson, adorable loser). But, as long as they keep bringing such good works in those roles, I will keep enjoying their performances. Kazan and Johnson have a perfect chemistry with each other, something which helps to cover some weak details from the screenplay. For example, the premise feels occasionally improbable, even though it's raised with enough logic in order to accept it for the sake of entertainment. After all, The Pretty One doesn't aspire to the raw realism from Hesher or Smashed (to put a pair of indie examples), but it occupies the idealized universe from films such as In Your Eyes and Juno, where the characters are sublimations of narrative archetypes, and the dialogs are impossibly eloquent and colorful. But the artifice works because the emotions feel real, and because of that, The Pretty One survives some not very credible coincidences, forced revelations and moments of a doubtful humor. Besides, in order to season the recipe a little bit, screenwriter Jeneé LaMarque (who was also the director) makes sporadic explorations to the meaning of identity, and its narrow (and sometimes contradictory) relationship with our public perception. Is it more important to know who we are, or who the people think we are? That's an interesting concept which brings a slight philosophical basis to the film. In conclusion, I recommend The Pretty One with confidence, because despite not being something great, it kept me very entertained, it made me think a bit and, for the first time in a long while, I was genuinely interested in the romantic aspect.