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The young daughter of a US Senator is drawn into a hippie “free love” cult called “The Children of Light” by the blond boyfriend of the cult’s leader, a mysterious and beautiful Asian woman. The cult turns out to be not quite the “free” love community it presents itself to be.

Laura Gemser as  The Divine One
Christian Anders as  Dorian
Gabriele Tinti as  Gabriel
Simone Brahmann as  Patricia Bennemann
Sylvia Engelmann as  Rose (uncredited)
Jane Iwanoff as  (uncredited)
David Koresh as  (uncredited)

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Reviews

Woodyanders
1981/04/10

A hippie love cult led by the stern, yet charismatic the Divine One (perfectly embodied by the delicious Laura Gemser) lures young innocents for their money and corrupts them in the name of their cause. The blithely passive and brainwashed cult members fornicate like bunnies, frolic about in their birthday suits, prostitute themselves for cash, engage in ritualistic chants, and get brutally whipped when they disobey the stern rules. Complications ensue when loyal recruiter and disciple Dorian (blonde doofus Christian Anders) falls for the fetching Patricia (lovely and voluptuous Simone Brahmann), who's the wealthy daughter of a powerful American senator. Writer/director Anders offers an enjoyably oddball cross between "Hair" (the incredibly dippy disco theme song and a couple of crazy song and dance numbers are both totally sidesplitting, albeit unintentionally so) and the infamous Jim Jones religious cult that certainly doesn't skimp on either the plentiful tasty nudity or the equally abundant sizzling soft-core sex (we've got straight, lesbian, and interracial couplings served up hot and spicy for the viewer's delight). The heightened erotic atmosphere and Gemser's smoldering sensuous presence ensure that this film never becomes dull. Better still, Anders treats all the wild and raw carnality with complete seriousness, which in turn greatly enhances the picture's considerable campy charm (a twisted ceremony involving the deflowering of the virginal youngest cult member rates as a definite loopy highlight). A delectably daft and decadent doozy.

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lazarillo
1981/04/11

This is one of those hippie/"free love"-type films that were big in the early 1970's (complete with some truly insipid musical numbers) except that it was made in 1980 and was also obviously influenced by the very unpleasant series of Nazi prison camp movies that were big in the mid to late 70's. The resulting hybrid is truly bizarre. Members who violate the "free love" ethos of the cult (i.e. by trying to have monogamous relations or refusing to prostitute themselves to perverted outsiders for money)are whipped and tortured. Laura "Black Emanuelle" Gemser is the main attraction here, playing the supreme leader of the cult. I'm sure no one has ever complained about her numerous nude and sex scenes, but she does seem a little miscast as an Ilsa, the Wicked Warden type (she's a svelte, submissive Asian, not a tall, dominant Teutonic type). The plot (in so much as there is one) involves a naive senator's daughter who is seduced into the cult by Gemser's ridiculously blonde, male second-in-command. The movie plays out like a softcore version of "Hair" with an occasional beating and torture sequence and maybe a nod here and there to the Manson Family and the then recent Guyana tragedy. Not really recommended, but if you enjoy this sort of thing.. .

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Mattydee74
1981/04/12

If a quasi-mythical, strange odyssey into a distorted matriarchal society marked by strange hippy ceremonies and sexual torture of all and sundry sounds like your desire for the night this might just be your choice viewing material. Its an intriguing oddity marketed in some countries as porn (Divine Emanuelle), in others as some sort of crime/action film. Its reminiscent of the "cult" films like Guyana and the real events on which they were based like the Jonestown cult: ie, kooky dnacing, chanting and solemn ceremonial garb soon ripped or torn like some Greek melodrama/historical play with bouts of murder and violence mixed with sexual power games. It is an undeniably luscious cheap film in terms of design and location with kinky indulgence in various fetishes from whipping to stalking plus generous doses of nudity both male and female. Its a quirky flick starring the Nubian-like Queen of exploitation (Black Emmanuelle) Laura Gemser wielding her power generously upon a vast array of dutiful and punishable subjects as she seeks further power and wealth. A film for exploitation/film-porn junkies with a sense of humour.

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floyd-27
1981/04/13

Yes she does! Well Laura Gemser does, in this rather enjoyable little slice of soft-core sleaze.This plays along the lines of a "Jim Jones"/"Raj-Neesh" sex cult, with Gemser as the conspicuous Sex Goddess of the group. Giving orders from from her luxurious setting (Complete with man servant in gladiator gear?!?!). She gives orders to enlist people of magnitude and wealth, so as to extend her own wealth and not much more.If you get into this sort of exploitation, I recommend you give it a whack. The settings and photography are well done and the "Love" song continuously played throughout is REALLY annoying. Though it gets used by the actors at times, which is quite funny.

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