Somehow the dark, horrifically-empty aspect of modern American life - which is itself especially starkly on view in NV - is precisely nailed by this film. The film might aptly be subtitled - "The Illusion of Love in a Dead Culture like ours". Yes, outwardly, it's about the astonishing betrayals and cruelty everybody - good or bad - will go through to get their hands on the attache case with the mob's money. But inwardly it's about the search for a love that has sunk irretrievably below the surface of one of Nevada's beautiful lakes. But it is on the "inner" level that this movie really struck at me. It is set in Nevada: Winnemucca, Reno, Vegas, Overton etc. Well-developed, uniquely-identified, memorable characters; excellent acting by all; crisp, often amusing, dialogue; well-plotted and paced with surprising twists and turns, and a surprising climax. The haunting background music (William Olvis) alone is worth the seeing the movie for.Val Kilmer and Joanne Walley Kilmer make a great team in this absorbing movie of cross, double cross, triple cross. The editing was a little choppy but not enough to really detract from this absorbing story. Good looking Joanne Whalley cons low-rent private eye, Kilmer, into helping her fake her death to escape her ostensibly murderous ex-boyfriend, played by Michael Madsen. Once the plan is in motion Whalley constantly shifts allegiance depending upon who seems to have the upper hand. This movie actually does not pretend to be profound or politically deep. For me that's a plus as I get enough politics every day and just want some good escapist fare.Overall rating: 8 out of 10.

40's style noir played against sunny Nevada desert and vicious gambling dens. Val Kilmer is too boyish to bring off the classic role of private eye, but at least he doesn't try to act tough while being slapped around or thrown like a rag doll over a series of chairs and tables. In fact his Jack Andrews gets pushed around by almost everyone in what amounts to one of the most feckless of all movie private eyes. His every move seems to either flop or backfire. He's seldom in charge of any encounter, and in that important regard, the movie stands as a genuine oddity to the genre. Joanne Whalley-Kilmer, looking like a trampy Natalie Wood, is reasonably convincing as the femme fatale, squealing delightedly whenever she's roughed up. Then there's villainous Michael Madsen, looking like Elvis's spooky older brother, who steals the show with a series of scary outbursts that are totally convincing. Despite the oddities, there're enough twists and turns to keep viewers guessing. And while Kill Me Again is no classic of noir filmmaking, it does stand as a reasonably successful low-budget entry.

John Dahl has mastered this genre almost effortlessly. "Kill Me Again" shows him in great form. The screen play by the director and David Warfield has all the makings of a film noir, which Mr. Dahl's executes beautifully.The great coup for the director is the first rate performances he gets out of his cast. Val Kilmer, plays Jack Andrews, a Reno P.I., fighting some demons of his own. Andrews falls for the vixen Fay Forrester who comes knocking at his office door seeking to solve her problems, but instead, she uses Jack shamelessly.Fay Forrester, the calculating dame of the story, has in turn double crossed her own partner Vince Miller, who doesn't give up trying to find what belongs to him. Jack Andrews in the end, proves he is more resourceful than Vince and Fay in an ironic twist at the end.Val Kilmer had one of the best opportunities of his career and he runs away with the movie. Joanne Whalley-Kilmer, is excellent as the calculating Fay. Michael Madsen portrays yet another bad guy with great verve.Mr. Dahl delivers a satisfying film that will not disappoint.

"Kill Me Again" is a lukewarm noir drama which tells a very mediocre, convoluted, and unlikely story about a babe (Whalley) who rips off her boyfriend (Madsen) for stolen mob money and then hires a private eye (Kilmer) to fake her death. Madsen is the only well cast character in this watchable but ordinary flick.