Tokyo is a dark technopolis, a city of faceless chrome and cold marble. It is ruled by Nogi, a yakuza boss specializing in drugs and murder. He gained absolute power by executing the former boss and marrying his daughter, Chiaki. Only the mysterious Ikko, Chiaki's half-sister threatens him. Inspired by a legendary hit-woman, Ikko calls herself the Black Angel and plans to wash away her father's murderer with a deluge of blood.
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This is a film about 3 women who are all inextricably linked together. Taken from her mother at birth the first woman named "Ikko Amaoka" (Riona Hazuki) watches as her grandfather and bodyguards are all shot in front of her when she is only 6 years old. She is saved by the second female who is a Yakuza assassin by the name of "Mayo" (Reiko Takashima) who is also known as "the Black Angel". Knowing that there is no safe place in Japan for the little girl, Mayo arranges transportation for Ikko to Los Angeles where she is cared for until she is 20 years old. At that time Ikko returns to Japan with the intent to kill all of those responsible for the murder of her family which includes the 3rd woman, "Chiaki Amaoka" (Miyuki Ono) who also happens to be her step-sister. Now, initially this was somewhat difficult to understand because of the fast-paced violence combined with the language barrier. However, as the movie continues it eventually explains itself and all of the pieces of the puzzle come together at the very end. At any rate, those who enjoy action movies will probably like this film. Be advised though that there is quite a bit of violence along with some sex and nudity as well. Overall, I rate the film as slightly above average.
I don't know why so many people love flashy but empty Hong Kong action movies when there are much darker, more violent and interesting crime and horror movies over in Japan! Quentin Tarantino's brilliant 'Kill Bill' is inspired by much of this stuff, specifically Kinji Fukasaku's amazing 'Battle Royale' and Takashi Miike's mind-blowing 'Ichi The Killer', so I'm hoping that it signals the beginning of a lot more attention from Western audiences on the seemingly endless invention of the more extreme end of the Japanese film industry. The work of Takashi Ishii ('Evil Dead Trap' - as writer only - 'Gonin', 'Freezer') hasn't received as much attention as the more flamboyant and controversial Miike, but in his own way he's just as exciting. And while watching 'The Black Angel' I couldn't help but wonder if it was a favourite of Tarantino's. Babelicious Riona Hazuki plays Ikko who returns from the US to avenge her parents who were killed in front of her when she was a small girl. Mayo, a mysterious and beautiful assassin called The Black Angel (Reiko Takashima) helped her escape from Japan as a child, so now as an adult she borrows that name. Ikko is intent on killing yakuza boss Nogi, the man responsible for the death of her mother and father, only she doesn't realize that Mayo is now Nogi's (reluctant) mistress and that there meeting again is inevitable. 'The Black Angel' is an extremely cool movie. Ishii is a very inventive and original director who constantly surprises the viewer, moving from an unexpected light hearted dance number to a confronting torture sequence. His characters aren't cliched and predictable and you are always on your toes. I highly recommend this movie and his other yakuza thriller 'Gonin', another film which takes a familiar theme and subverts it in fascinating ways. Forget old hat John Woo and Jackie Chan, try the Takashis, Miike and Ishii!
Takashi Ishii's Kuro No Tenshi is a good action film but borrows too many themes and ideas from better movies such as La Femme Nikita, Leon:The Professional and Naked Killer. Reona Hazuki is perfectly cast as Ikko, the child turned cold-blooded assassin who is out to revenge the murder of her Yakuza father. Yoshiyuki Yamaguchi is 'Jil' her Japanese-American companion who helps her on her mission and steals the movie with his street dancing moves and peculiar Japanese-English mixed-up dialog. Ishii seems to borrow a lot from the Hong Kong school of gunplay action which keeps the movie interesting but the story and plot drag at times and there are many odd moments of fancy such as Ikko and Jil's dancing sequence in a hotel room which seem a bit out of place but I guess breaks the gloomy and tense atmosphere of the story. Viewers may recoil at a couple of scenes but the movie is very tame when compared to movies such as the Killer or Hard Boiled. Tenshii is an interesting entry from Ishii who has a unique flair for visuals and style but it isn't the best of the genre.
A schmaltzy, violent, slow moving action flick following a young girl who witnesses her family's massacre and returns 14 years later to seek vengeance. The soap opera's hamminess and relationships lend it some interest, as do a couple of camera shots.The sound recording is pretty bad as is the acting and much of the story line. The direction drips with cliches such as the vixen shot of stockinged legs getting out of a car.