In 1865, a troop of Confederate soldiers led by Major Matt Stewart (Randolph Scott) attack the wagon of gold escorted by Union cavalry and the soldiers are killed. The only wounded survivor tells that the war ended one month ago, and the group decides to take the gold and meet their liaison that knew that the war ended but did not inform the troop. The harsh Rolph Bainter (Lee Marvin) kills the greedy man and the soldiers flee in his wagon driven by Major Stewart. When they meet a posse chasing them, Stewart gives wrong information to misguide the group; however, they have an accident with the wagon and lose the horses. They decide to stop a stagecoach and force the driver to transport them, but the posse returns and they are trapped in the station with the passenger. They realize that the men are not deputies and have no intention to bring them to justice but take the stolen gold. "Hangman's Knot" is a simple but effective Western in the after American Civil War period mainly about lack of communication and greed. Randolph Scott and Lee Marvin in the beginning of his career perform their usual type of characters, a fair rough man and a bad character. The story is engaging with many conflictive situations and the screenplay is very tight. My vote is seven.Title (Brazil): "O Laço do Carrasco" ("The Hangman's Noose")

This film showcases the legal problems that occur in the transformation from war to peace. This was made more difficult in the days before rapid communications over long distances. Thus, the most important battle in the War of 1812 was fought some time after the peace treaty was signed. In the present case, we also have the problem of determining exactly when the Confederacy ceased to exist. Lee's surrender of his army did not constitute an official end to the Confederacy. In fact, another army surrendered several weeks later. There was no general peace treaty. Of course, Major Stewart(Randy) only knew what a dying Union commander told him: that the Confederacy was dead. Thus, he and his follow Confederate raiders had to decide what was the likely best thing for them to do with the gold they had just stolen from a Union cavalry detachment in this Nevada wasteland. They were afraid they would be hung either as Confederate spies or as civilian thieves if they turned the gold over to local authorities. This was made much more likely by the fact that they had killed the cavalry escorting the gold shipment. Thus, they decided to keep the gold until they decided for sure to split it. The raiders returned to their base camp and piled into their stolen buggy, leaving their horses behind(why?). Later, they are met by a group of horsemen who identify themselves as a posse looking for the gold thieves. Randy tells them a story that makes them travel in the opposite direction, but he knows they will be back after they find out this is a lie. The raiders then ditch their buggy and stop a stage, which they all fit into or onto. They convert the next way station into a fortress, with the posse in hot pursuit. There are 2 hostages from the stage: ex-union army nurse Molly(Donna Reed)and her semi-fiancé, as well as the elderly station caretakers. Randy tries to convince the posse that they left the gold elsewhere , but they don't buy it. The raiders make an escape attempt that night, but only succeed in rescuing a raider captive. He tells them the men outside are no posse, rather a gang of drifters. Meanwhile, the raiders and hostages are getting to know each other better, Molly's nursing skills being put to good use. Molly gradually warms up to Randy, as we expect, after she sees how he handles various sticky situations. Ralph(Lee Marvin) is jealous and tries to shoot Randy, after they have quite a brawl, but brother Jamie shoots Ralph first.The outlaw gang now tries to tunnel under the building, then set fire to it. As burning roof beams fall, Molly's fiancé runs out, but is shot by the outlaws. Luckily, a rare severe storm then strikes, putting out the fire and providing some cover for the raiders, who exit the building and kill or confuse some of the outlaws, while other outlaws look for the gold inside. Satisfied there is no gold, the remaining outlaws ride off to look for it elsewhere(presumably somewhere near the abandoned buggy). The now 2 remaining raiders(Randy and Jamie) make peace with the remaining hostages and promise to return after a cooling off period in former Confederate territory.We're left wondering what happened to the gold, since Randy and Jamie decided to leave it with the hostages. They are characterized as honest folk, thus most likely turned it over to authorities, explaining that the thieves had all been killed in a shootout between two gangs or by themselves.This is an excellent intense western drama, quite in keeping with the later series of Scott-staring westerns directed by Boetticher. The one positive thing that came out of this fiasco was that Molly came to realize that Randy, not her handsome urbane semi-fiancé, was the right man for her, provided he did the right thing and left the gold for her and the station attendants to dispose of honorably. However, as typically, the budding romance is left in an uncertain state at ending. In additional to the interesting screenplay, the crisp Technicolor cinematography of the unique giant boulder-strewn Alabama Hills, with snow-capped High Sierras in the background, makes for a spectacular-looking physical setting.Anyone who has seen "The Yearling" will instantly recognize an older Claude Jarman, as Scott's young friend, Jamie.... Perennial 'old codger' Clem Bevans, also in "The Yearling", serves as the stage station master...Familiar-looking Ray Teal, playing the leader of the bandits, meets a fate similar to that of Bruce Dern, in "The Cowboys", although clearly a dummy was used in the dark rainy conditions....Lee Marvin plays his typical sneering bully or cynic character....Handsome Richard Denning as Donna's dandy semi-fiancé saves the situation, if not his life, by correctly predicting a violent thunderstorm will soon strike. The long rain-soaking sequence, shot in near darkness, is unique in westerns that I have seen.If you've seen "Virginia City"(1940), with Scott and Flynn costarring, you will recognize a basically similar plot.

Harry Joe Brown and Randy Scott produced some of the best westerns Hollywood ever made. This is one of them, one of only two films directed by the brilliant writer-producer Roy Huggins, who ended up devoting much of his time to some fine TV series, including "Maverick" and "The Rockford Files." A person can only spread himself so thin yet it's unfortunate that Huggins didn't direct more movies. There is so much highly creative work here, both on and off the screen.The story written by Huggins concerns the final days of the tumultuous Civil War that not only split the nation asunder, but families and friends as well. Major Matt (Scott) is in command of a small band of rebel soldiers whose assignment is to hijack a union gold shipment in far off Nevada and take no prisoners. They succeed only to learn that Lee surrendered to Grant several weeks earlier. What to do? The major and his rebels decide to keep the gold and determine what to do with it later. The only rascal amongst the rebels is Ralph, an early role for Lee Marvin, who as usual steals the show. It seems his meanness has only grown as a result of all the violence he has experienced during the war. His killer proclivities have come to dominate his psyche. Though old pals in the saddle, Ralph and the Major are continually at each other's throats. Also a member of the rebels is a youngster who has not yet tasted blood, Jamie (Claude Jarman Jr. who first scored big as a twelve-year-old in "The Yearling").As the rebels make their getaway, knowing that they will be hunted down as murderers and traitors by the Yankees, they are set upon by a gang of outlaws who claim to be seeking justice but who really want the gold. The rebels are chased to an outpost via stagecoach where they hold up in what turns out to be a standoff. The leader of the outlaw gang is Quincey, portrayed by veteran actor Ray Teal in one of his best roles. He was always a reliable actor who could be counted on to give a good performance. But this time he goes beyond the expected and turns in one of the best acting jobs ever. Today he is most famous for playing Sheriff Roy Coffee in the ever popular "Bonanza" TV series. Another surprise is to see Guinn 'Big Boy' Williams, who usually played good old boy types, half-comic, half tough guy, as one of the meanest hombres around, Smitty. He is more sadistic and cruel than Lee Marvin in this film, which is saying a lot. Sweet Donna Reed is, well, sweet, but handles the part of a nurse, Molly, engaged to a slime ball, Lee Kemper (Richard Denning of TV's Mr. North fame), beautifully. Jeanette Nolan and Clem Bevans are effective as daughter and father of a young man who died in battle after his father had been killed in the war. The lead role is filled admirably by Randolph Scott. He captures all the nuances and contradictions of Major Matt while remaining charming enough to capture the heart of Nurse Molly. The rest of the cast including the redoubtable Frank Faylen provides the necessary support for this excellent western.The title "Hangman's Knot" is metaphoric. Literally, the knot is tied to hang Cass (Faylen), but the knot also stands for the symbolic noose around the neck of each character for various reasons explored by the interaction of a great cast.

Randolph Scott leads a group of Confederate raiders who rob a gold shipment and kill the Union Cavalry escort. Before one of them dies though, he informs the group that the Civil War's been over for a few weeks. They're outlaws now.That fact is brought home when a group of "deputies" lead by Ray Teal and Guinn Williams go out hunting the Confederates. They're not law officers in fact, but raiders looking to steal the gold and kill Scott and his crew. Scott and his crew take shelter in a stagecoach station and the fun begins.Everybody's in conflict here. Randolph Scott has eyes for stage passenger Donna Reed and her fiancée Richard Denning doesn't like it. Lee Marvin, who's one of Scott's men, also has eyes for Reed and willing to take a direct approach. The folks who run the station, Clem Bevans and Jeanette Nolan, don't like being caught up in the shooting at their station, but don't like the Confederates in particular as their Union sympathizers and Nolan's husband and son have both been killed in the war. Even the bad guys are arguing over just what approach to take in dealing with the Confederates and none of them trust the others. All this with the two groups shooting at each other.For 81 minutes a lot of plot is packed in and it's nicely done. Very tight editing, not a word or action wasted. Randolph Scott stands rigidly as the moral centerpiece of the film. Donna Reed, a year away from her Academy Award in From Here To Eternity, does well as a former Union Army nurse going west with her fiancée Richard Denning whom she learns is not all he seems. Lee Marvin gives a harbinger of things to come with his portrayal of a man quite ready and eager to become an outlaw.One of Randolph Scott's best westerns.