This is a comedy western, but it isn't one of those totally awful ones that are more annoying than funny. This one genuinely provides some good laughs. Some of the slapstick in this film even reminds me of The Three Stooges. Especially one particular fight scene in a flooded hotel room.I would probably have given this movie seven or eight stars if the music score was better. It isn't terrible or anything, but it just isn't spaghetti western style music. What we have here instead is the kind of music one would expect from a Hollywood western, with some vocals thrown in here and there. To me, the musical style is a very important component in the spaghetti western genre, and it can definitely make or break these films.The acting is above average, and the quality of this film is decent. Giuliano Gemma always delivers a fine performance. The action scenes are well done, and the film features what would have been a very fancy and unique looking early automobile. I don't know what make it was.Overall I found this movie to be quite entertaining. It is worth watching for fans of the genre.

Notorious American B movie producer Edward L. Montoro retitled this spaghetti western "Sundance Cassidy and Butch the Kid" when he released it to American theaters in the '70s. But the only connection this movie has to "Butch Cassidy and the Sundance Kid" is that both are westerns and both have comic bits. If the makers of this spaghetti western had copied the American movie's quality, we might have had something here. Oh, there are a few minor amusing bits, and there is some impressive stunt work on display (some of it actually performed by the actors instead of their stunt doubles.) But on the whole, this is a tired enterprise that feels endless at times. The American print I saw was cut by about twenty five minutes, and judging from what survived the editing, I think the original Italian version would be much harder to sit through.

The premise here is that two estranged brothers must spend six peaceful months together in order to inherit $300,000 from a rich uncle. This premise, however, is merely an excuse to put the two brothers into a series of comic adventures in the American West -- circa early 1900s. While none of these adventures is original or memorable, they combine to produce an easy-going "spaghetti western" which never takes itself too seriously and which therefore qualifies as a pleasant time-killer. (Incidentally, the movie's Italian title translates as "Alive or Preferably Dead." The American title shamelessly tries to capitalize on another film's success but it has nothing to do with the famous characters portrayed by Paul Newman and Robert Redford.) This movie is helped by the fact that the two brothers, (and they actually look like brothers), are played by such handsome and agreeable actors as Giuliano Gemma and Nino Benvenuti. Gemma, (billed as "John Wade" for American audiences), got his start wearing nothing but a towel in 1959's "Ben-Hur" when he appeared as one of the muscular Roman athletes who observe Messala placing a bet with the Shiek on the outcome of the chariot race. Benvenuti, (here billed as "Robert Neuman"), first achieved fame as a boxer in Rome's 1960 Olympics. Despite being personable and good-looking, he only appeared in two movies. Not surprisingly, opportunities are found to show off these hunks' physiques by stripping them to the waist. Gemma is shown sitting in a tub, taking a bubble bath, while Benvenuti sheds his shirt when he chops a load of firewood. Both men are also shirtless when they're tortured by the Bad Guys who apparently poke burning sticks into their chests. Alas, both the American theatrical release and the videotape release drastically cut this torture scene. The two brothers are shown tied up and threatened but then the action jumps forward. The brothers now have burn marks on their chests but no torture was actually shown.Sydne Rome, (billed here as "Karen Blake"), makes a spunky and appealing heroine but at the end of the movie one realizes she's just been added to the proceedings to persuade viewers that the two brothers -- appearances to the contrary -- are really "straight."(November 2007 update: Having viewed a DVD of this movie under its Italian title, some new comments are in order. This Italian version is longer and more detailed than the American version known as "Sundance Cassidy and Butch the Kid." It contains the complete torture scene which turns out to be quite different than expected. The two brothers, stripped to the waist, are laid face-up on the floor with their hands tied behind their backs. The bad guy approaches with a smoldering stick taken from a nearby fireplace but does not, as expected, poke it into the brothers' chests. Instead he uses it to draw a smudgy line across the floor. Then he tells his gang-members they can throw hot pennies at the brothers but they cannot step across the line. The gang-members reach into the fireplace with their gloved hands, scoop up hot coins, and gleefully toss them at the brothers' bare chests. The brothers squirm and writhe, trying to avoid the scorching missiles, but some still hit their targets. Then a distraction occurs, the brothers manage to free themselves with no more damage than a few burn marks on their chests. It's puzzling why the American prints cut most of this scene since it's not especially violent and is played more for comic than sadistic effect. The beginning of the movie also varies from the Italian to the English-language print. The Italian version begins with a scene "back East" in which Monty Mulligan leaves a Christmas party, fights off four street-thugs intent on robbing him, and then encounters four more men who demand that he repays his gambling debts. Monty's unable to do so but is saved by the arrival of a messenger from a lawyer's office. The scene then shifts to this office where the lawyer reads to Monty details of his uncle's will. At this point the movie switches to its Wild West setting which is where the English-language prints pick up the story.)

This film is also known as Sundance and the Kid in the U.S. release. Starting as early as the 1970's most Euro-Westerns started going downhill in quality and budget. So Italian producers started combining the usually dramatic Spaghetti Westerns with comedy and later in 1970's with martial arts! This film, Sundance and the Kid, is just plain awful in everything from the acting to the screenplay. This turkey was cranked out to compete with the more original Spaghetti Western comedies with Italian actors Bud Spencer and Terence Hill such as Boot Hill, They Call Me Trinity, Trinity is Still My Name..etc. and also perhaps to certain extent the quality U.S. film Butch Cassidy and the Sundance Kid with Robert Redford and Paul Newman which is recommended if you want to see a quality made comedy-western.Ironically, in my opinion, Italian directors made the very best westerns and the very worst westerns. On most all these Spaghetti Western-Comedies everything from the title of the movie to the names of the Italian actors, directors and sometimes even the production crew would change their names to American names and add awful English dubbing all designed to sound more American so it would sell better. In Spaghetti Westerns everything in fact is made in Italy but to make $$$ they had to make it look like an American made western as much as possible...but sometimes failed miserably as in this movie.