The Japanese troops are defeated by the Soviets and Kaji (Tatsuya Nakadai) heads with three survivors to South Manchurian expecting to meet his wife. Along their crossing through the enemy line in the Manchurian land, other Japanese survivors join Kaji's group, but they need to fight against the Chinese militias and the Soviets.When they reach a Japanese village with women and one old man, a militia arrives in the place and Kaji and his men surrender to the Soviet to spare the women. The POWs are sent to a labor work camp and Kaji sees no difference between the treatment of the Japanese fascists and the Soviet communists, in which principles Kaji believed. He decides to escape from the camp to meet his beloved Michiko again."The Human Condition – Parts V & VI" is the last sequel of the heartbreaking anti-war masterpiece by Masaki Kobayashi. The story is impressively realistic and magnificently shot with top-notch camera work, giving the sensation of a documentary. I have seen many powerful movies about war, such as "Der Untergang", "Taegukgi hwinalrimyeo", "La Battaglia di Algeri", "Paths of Glory" and "Apocalypse Now" among others. But "The Human Condition" is certainly the most scathing antiwar movie that I have seen and I did not feel the 574 minutes running time in a black-and-white movie spoken in Japanese, Mandarin and Russian with English subtitles. It is impressive to see the treatment spent by the fascist Japanese soldiers for the rookies and how Kaji grows-up and learns how his idealistic concept of communism is shattered when he becomes a POW and swaps his initial position of supervisor to the one of prisoner. The hopeless conclusion fits perfectly to this masterpiece and shows that in times of war, people are far from the condition for being human to survive. My vote is ten.Title (Brazil): Not Available

anyone who is seriously interested in understanding what's wrong with the "human" should watch this excellent piece of art. Tatusuya nakadai is delivering here an astonish performance.Kobayashi is definitely one of the greatest directors and offers precision and coherence to this trilogy. Music is obviously an tremendous emotional experience. There is no necessity to write much, the movie speaks for itself as long as one understands the movements and rhythms conveyed through the subtle evolution of the main character. A long trilogy worth watching till the end in the vein of harakiri (seppuku). PS. understanding our history seems to be of great importance, especially in the actual political context of unrest, what happened and is happening in the arab world is a very important issue, violence unfortunately still prevails.abolishing authority of any kind (y compris nationalism, religions, traditions, ego etc.) seems the only way out.

When people think of anti-war films titles such as Platoon, All Quiet on the Western Front and Schindler's List almost immediately come to mind; such films have defined the genre in American culture. However very few directors have provided the perspective from the axis point of view, and fewer still were able to do so in a way that humanizes all countries, not just the protagonist's. Masaki Kobayashi, who is most well known for his samurai pictures such as Seppuku and Samurai Rebellion is able to form such a film, without even a hint of pretentiousness.The series of films spans nearly ten hours, following a pacifist named Kaji (Tatsuya Nakadai), as he struggles to keep his principles during war times. First as an overseer of a P.O.W. camp, then as a soldier. Due to the length of the film, the level of character development and acting quality, we end up feeling his frustration, pain and triumphs, as each occasion leaves room for both a triumph of the human spirit and subjugation of it. Kaji despises both warfare and violence of all kinds, yet tries to rationalize it for the good of those around him. We become so attached to him and his struggle, that we begin to feel similarly, and as a result we are left with one of the most moving chronicles of the loss that war becomes. I won't spoil anything, but any viewer will be floored by the end, it left me utterly breathless.So overall I recommend it quite highly, its one of the few great anti-war statements that has aged VERY well in the modern day, and possibly Kobayashi's greatest work. Never slow, yet at the same time never glorifying the action, it is a film that I eagerly await to see re-released.10/10.

If you have any remote interest in film go see this right away. Don't bother watching if you are too scared to attempt the entire 10 hours in one sitting. It's worth it and then some. The actor playing Kaji was terrific and each part turns out better than the last (everything really, the acting/camera work... all the bells and whistles just sound better the further in you get). It definitely struck me as something Adolfas Mekas would totally dig, which says a lot. This is a must see. If you decide to bring the wife and kids (or husband and mother-in-law or what- have-you) just be warned: this movie involves a fair amount of human suffering, on and off the screen. -Ed Hellman.