I saw this movie several years ago and was quite intrigued bit it, and disturbed by it given the racist attacks depicted against the Vietnamese refugees who wanted to make an honest living in the Land of Opportunity and the Free. The movie was a bit slow moving at times, but still, a bold movie nonetheless.I'd be fascinated to see a criterion release of Alamo Bay, where the Vietnamese cast reflect upon their role in the movie, along with Ed Harris who pretty underwent a massive makeover in The Firm. He looks nothing like he did in Alamo Bay. I wonder what a reboot of Alamo Bay would look like? A special feature documentary would also be good, interviewing real life participants.

Notice the stereotypes this movie presents: Vietnamese as courteous, hardworking, church going honorable people. Vietnamese war vets: racist, womanizing drunks. This is one of many films that utterly demonizes Vietnam vets. Madigans character so admires the Vietnamese leader that she declares: "You have to be the last cowboy in Texas".If you watch most Vietnam war flicks vets are usually (take your pick or all of the below) criminals, drug users or dealers, perverts, rapists, psychologically unbalance, racists. Yet statistics show that VV's are no more prone to this than the rest of the general population. Do not watch this crap.

I lived in the Rockport-Fulton area, where parts of the movie was filmed, most of my life. I remember when the Vietnamese people began moving into the area, and the problems they had with some of the local citizens. This movie was pretty accurate about the feelings of some of the shrimpers, I am sorry to say. Ed Harris did a wonderful job of portraying the racist shrimper. He reminds me of a few people I knew in the area. Amy Madigan was also great portraying his former girlfriend. She had some tough decisions to make. This is a good movie with interesting characters and great acting. I think that the relationship between some of the Texas shrimpers and the Vietnamese shrimpers is portrayed pretty realistically.

This film, like its director, was years ahead of its time. Before Mississippi Burning, Cry Freedom, and Rosewood solidified the cliches of the racism genre, Louis Malle delivered this authentic, effortless look at Vietnamese fisherman working off the gulf coast of Texas. No house burnings and lynchings need apply. Malle and his writer Alice Arlen pay such close attention to detail that the film pants with life in the hot Texas sun. The actors scarcely seem to be acting at all. It takes skill and courage to film an incendiary subject like this won with a level head and a compassion for all involved. Despite its route cinematic ending, this film's catch is bountiful.