JU-ON: WHITE GHOST is an hour-long follow up to the original GRUDGE films that was made back-to-back with companion film JU-ON: BLACK GHOST. These films continue the same mythos as in the first two feature-length movies, adding in new characters and allowing them to get haunted by the ghost from the original.Let's be fair: these are straight-to-video short films so quality-wise they're not going to be on par with the first two features. But JU-ON: WHITE GHOST isn't too bad. The central female ghost is watered down and CGI-ed up since the original, so not as frightening, but is acceptable for a straight-to-video horror flick.At an hour long you can never get bored by this, and the story plays out as a bunch of five minute vignettes that only begin to make sense towards the climax. Indeed, trying to work out the film's mixed-up chronology keeps the interest level high. The acting is of a strong standard throughout and there's a mix of scary and gory moments to keep viewers watching.

Even tho "White ghost" does provide some very, but very tensioned moments, I found it hard to take it seriously. I mean, after watching it, it's rather difficult to say that this one is worthy of a grade over 6, cause let's face it, for a cheesy Asian fun, it does the job, but if you in for some real scares with a over the top plot and development, "White ghost" looks like a cartoon!Again, don't get me wrong, dunno how, but when I saw it, it scared me out of my mind, cause the execution is very good, but if they were able to put it on screen like this, why didn't they try harder on the script part? Get a decent idea, make use of it, and put your name up there, with the rest of Asia's greater horrors! They did everything better than most such films, again, the plot is what killed it for me. Check it out and you'll see what I'm talking about!Cheers!

I suppose it makes logical sense for the distributors here to combine both Ju-on: White Ghost and Black Ghost stories in 1 screening. After all, each is only 1 hour long, and narratively are somehow intertwined together quite loosely, with their production marking 10 years since Ju-on's cinematic premiere. Helmed by two different directors, we're given two direct-to-video productions, each with its own flavour and separate storyline dealing with the Ju-On Grudge curse, and frankly, with its limited production budget and consistent elements, For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.

Im a bit unsure wither or not to make this a good or bad review. I don't think it deserves to be considered one of the ju-ons, neither does Kuroi shôjo in my opinion. I think the story was well written; perhaps the let down was due to the director. It didn't have the same eerie settings, and uneasy tension that the other ju-ons captures beautifully. The acting in some scenes was also quite cringeworthy. I did like the non-linear running which is also carried out in this "ju-on" ; probably the only was it can be compared. I think this film has a good frame work for a really good horror; just not enough was put in. Also i did not understand how the granny with the basketball could be considered scary; it was more hilarious than anything. I enjoyed the fact that Toshio made an appearance, however i don't understand why, and nothing explained this. i think it is worth a watch if you are a fan of the ju-on series; just to witness it, but don't approach with great expectations.