Pawn is another gift from the assembly line of slightly muddled second tier crime dramas, cobbled together with elements of greats from yesteryear, and barely held together at the seam by acting titans who have fallen on hard times chasing that almighty paycheque. That's not to say it's bad (although plenty of its breed are woeful), but simply inconsequential and forgettable. Starting off with a simple diner robbery that will inevitably spiral beyond control, we meet a band of clueless petty thieves lead by Michael Chiklis, doing his utter best with a silly cockney accent that has no reason to exist here. Little do these geniuses know, the diner they picked to lift happens to be a front for the Russian mob, setting off a chaotic chain of events that could end in all their deaths. The mob panics, and brings in everyone they can to clutter things up. Two corrupt cops show up, one inside the diner, played by Forest Whitaker, looking like he had some trouble understanding his portion of the script, and one outside, played by Marton Csokas who is underused a lot it seems. Common shows up as a hostage negotiator of all things, which made me chuckle. Stephen Lang is dangerously quiet as the restaurant owner and strong arm of the Russians. He hires a chatty Ray Liotta to hold one of the thieves wives (Nikki Reed) hostage and appear vaguely menacing until everything blows over. So we have scenes of him talking to her in cyclical metaphors interspersed with all the intrigue going down at the diner, and it all amounts to... what, exactly? Well, you'll have to take a look for yourself, but the while thing seemed rather pointless to me.

Pawn showcases the talents of the cast in this ensemble crime hostage thriller. The plot is a short term one but the film makes it work by analyzing every single detail, so I dare you to find a plot hole. With an over average script that contains a scene of really smart symbolism, the actors can not really mess it up. Action wise the film does not shy away, probably due to the fact of the directors background in being a cinematographer for the Saw films. The film shows a flashback to the backstory of why he was doing. Then the movie shifts and becomes a personal vendetta for Sean Faris to recover his pregnant wife from the mysterious captor, Ray Liotta, and get the hell out of the diner without dying. Throughout the movie, we never even quite know who he is, and it seems a bit random. Although the film does because quite clear towards the end, as it is an entertaining watch.

That's the perfect example of what the new wave crime flick genre may offer from time to time. A clever story of rotten cops, with of course Ray Liotta. This actor is to rotten cops the same Roy Rogers was to singing cowboys. The editing scheme reminds me PULP FICTION and the rotten cops scheme THE NEGOTIATOR.I Wonder why the hell the armed robbers are unmasked to pull their petty heist in the restaurant. Phony petty heist. I regret the unbereable happy ending only put here for sissies. And also I find the story maybe too much smart, complicated for me. But all this doesn't make it a run of the mill feature.

But unfortunately as things unravel, the movie loses its touch. There are quite a few good actors in it (Chiklis, Reed to name a few) and they're trying their best. For a low budget movie this is fairly well shot too. Of course it's almost entirely one location (with a few exceptions) and you'll either like that or not.For a low budget movie, it's always better to have a few, but interesting locations. So that's a positive side aspect, until you realize there could be more to it. The story, especially towards the end, loses its drive and motivation a bit and gets a little too tricky for its own good. Sometimes simpler is better, if well thought trough ...