Recently divorced "Hidemi Harada" has only now begun to realize how utterly selfish he has been and is regretting the fact that he has been such a bad husband and father. With that in mind he decides to revisit the small hometown where he grew up to perhaps relive a part of his life. However, upon doing this he happens to see a man that resembles his deceased father. More incredibly the man invites him to his house and introduces him to a woman who resembles his deceased mother. To his further shock he learns that they are indeed his deceased parents and act like nothing has changed since he last saw them before their fatal accident over 28 years ago. But that's not all! However, rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this was an interesting Japanese horror film which is light on action but deep in meaning. I especially liked the performances of Kumiko Akiyoshi (as Hidemi's mother "Fusaka Harada") and Yuko Natori ("Kei") who both played their parts quite well. In any case, if a person is looking for plenty of gore or action they won't find it here but even so it's still an interesting movie which I enjoyed and I have rated it accordingly. Above average.

Rather than relying on gore or a typical vengeful ghost like most Asian horror, this is a character driven, dramatic story that comes across as sadly nostalgic instead of overtly horrifying. All the actors and actresses do a wonderful job coming across like real people with their own motivations and drives. The main character is one that is both likable and easily identified with by the watcher. His scenes with the ghosts of his parents leave you longing for simpler times when things made more sense and perhaps wishing you could have time to know your own parents as people. You can't help but be happy as he rediscovers something he thought he had lost forever, his ability to love. The horror comes with the ending plot twist and is done with elegance and restraint that does not detract from the rest of the movie's feel. It is an emotionally satisfying movie even if it is not really scary.

Although 'discarnate' was a new word to me, I see it is defined in the dictionary as, 'disembodied', so although seeming a little clumsy as a film title, not totally inaccurate, although they probably should have stuck to the singular. I read 'Strangers' by Taichi Yamada, earlier this year and pondered how difficult it might be to film, not aware that it had indeed already been so filmed twenty years ago. The splendidly spooky book (Ijin-tachi to no Natsu, in the Japanese) was originally published in Japan in 1987 but only translated into English recently. The film itself is very faithful to the book and overcomes the difficulties I foresaw fairly creatively but mainly with the use of shadow. The middle section of the film seems a little flat, whereas in the book we are in the midst of deeply disturbing images both of the main character's deterioration and his friend's 'scars', the film plays this in a more straightforward manner. Nevertheless the film is well paced, has a warmth as well as worry to it and nobody could be disappointed by the rousing ending. A difficult book to adapt, but done surprisingly well.

A lovely film. The performances by the high-quality cast are excellent and convincing. Kazama does a great job as the scenario writer who gets a second chance to spend time with his loving parents, who actually were killed when he was twelve. Yuko Natori is wonderful and sexy as his amorous neighbour who becomes his lover and confidante. Woven into the story is a lovely moral tale about a man who is a total failure as a person (though with a successful career) getting back in touch with his true feelings. Highly recommended.