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Trailer Synopsis Cast Keywords

H6 tells the story of Antonio Frau, a serial killer set free after serving 25 years in jail for the violent murder of his girlfriend. After inheriting and old motel from a relative he never knew, he sees this as a signal and takes to his holy task of relieving the grief of those who have lost the will to live. He takes his victims to room Number 6 in the motel where he 'purifies' them, while, at the same time, continues his everyday life next to his wife. A mistake leads to his arrest, and his plan to become rich and famous takes relevance.

Fernando Acaso as  Antonio Frau
María José Bausá as  Francisca Seguí
Raquel Arenas as  Rosa
Xènia Reguant as  Marisa
Alejo Sauras as  Cristóbal
Miquel Sitjar as  Flores
Elena Seguí as  Soledad Méndez
Miquel Fernández as  Antonio Frau 25
Antonio Mayans as  Dr. Planas
Gonzalo Bouza as  Policeman

Reviews

BA_Harrison
2007/01/19

"The Spanish answer to Hostel" boasts the sleeve of the DVD for H6. But whilst it's true that this film's relentless scenes of torture and violence might possibly appeal to the audiences of such modern horror, I suspect that fans of that particular franchise could feel cheated by the description used on the packaging. This isn't mainstream splatter for indiscriminate teens; it's a study of a psychotic serial killer that bears far more resemblance to a handful of other, perhaps lesser-known horror films than to the work of Eli Roth.Sure, certain aspects of director Martín Garrido Barón's brutal chiller can be compared to The Silence of the Lambs and the Saw films, but other parts are more reminiscent of Henry: Portrait of a Serial Killer, American Psycho, The Last Horror Movie, nasty low-budget crap-fest Scrapbook, and even recent French shocker Martyrs. One thing is certain though: there's not a single sadistic East European in sight.Instead, there's a deranged Spaniard, with a plastic sheet covered room and a shiny new chainsaw ready for action.Said sicko is Antonio Frau (Fernando Acaso), who has recently been released from prison after serving 15 years for killing his girlfriend. Almost immediately after gaining his freedom, Antonio finds himself a wife (buxom nurse Rosa, who is desperate to escape life at her parents' home), inherits a rundown guest-house in a sleazy part of town, and begins writing a diary in which he catalogues every detail of his new hobby: killing drifters, prostitutes, pimps and junkies!While his wife is at work (she does the night-shift at a hospital, where she carries on her affair with a married doctor), Antonio is busy luring drug-addled hookers and other losers into his home, killing the men and taking the women to Room 6, where he 'purifies' them through repeated rape (amusingly 'working around' their knickers), torture, and finally, dismemberment. Meanwhile, the police inspector who previously arrested Antonio is hot on the case, and soon suspects that his old acquaintance is responsible for the area's lack of hookers.Very grim and brutal in tone, but surprisingly light on the explicit violence (plenty of blood, but not much graphic gore—not that it needs it to offend), H6 is definitely not a film for all the family (unless that family sits in armchairs made from human remains). The awful treatment to which Antonio subjects his victims is extremely harrowing, and is recommended viewing only for hardened horror fans who are numb to the sight of petrified young women pleading for their lives before being sawn into tiny pieces (some of which get served up as dinner for Rosa).The only thing that prevents H6 from being one of the best 'extreme' horrors to come out of Europe in recent years is the weak ending, which attempts to convince viewers that Antonio is a genius of Hannibal Lector proportions who has concocted a clever ruse to ensure that he receives a lighter than expected sentence. I can't help but feel that the film deserved a much more nihilistic denouement worthy of all that had gone before.7.5 out of 10, rounded up to 8 for IMDb.

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akuma634
2007/01/20

This is an amazing horror thriller. The only downer would be that there is really no gore, gallons of blood splatter all over but there is nothing on screen. What makes up for it is a script that is pure genius, great actors, a great set, beautiful women, and it's something different. Antonio Frau really is in league with Hannibal Lechter, Patrick Batman, and Jigsaw, I really see him as a mix off all of them.Like Jigsaw he wants to weed out the people who ruined their own lives and don't deserve to live. He really is great with psychological torture. The tag line on the case was "The Spanish answer to Hostel." This was nothing like Hostel, I would call it the Spanish Answer to SAW or Hannibal. They story and the acting were enough to keep me entertained, which is very rare for me since when I bought this I also got 4 Troma movies so that really says quite a bit about the quality of H6. If you like independent and foreign movies that go places Hollywood wouldn't dare to go then H6 is worth your 20 bucks.

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James Peachtriggle
2007/01/21

Man, just when you think you've seen all the brutal, messed-up scenes you can, along comes a movie like this to shake you up. What's in the water over there in Spain? Antonio Frau is a recently-paroled killer who served his time but hasn't been very well rehabilitated. He inherits an old brothel from some relative and he decides this is a sign from God to kill hookers...and pretty much anyone else who he deems "unclean". Of course, he doesn't just kill them, he "purifies" them, which consists of a lot of torture and drawn-out pain until finally dropping the chainsaw on them.Admittedly, you don't see all the blood and guts, a lot of it is insinuated, but in a way that's better. It sticks with you, the mental images of what he does.If you liked Hostel or are a big fan of really sick torture scenes, this is a must-see!

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Chris_Docker
2007/01/22

H6 - Diary of an Assassin opens with a dark screen. A domestic argument can be heard. Spilling out of the darkness of an apartment into murky, ochre light we see a man abusing and eventually throttling his wife. Hello Antonio Frau, before he learns the self-control needed to become a serious serial killer.Several years later and he's out of prison, inheriting an old empty building that used to be a brothel. He also picks up a wife, who has corresponded with him in the nick and believes he has reformed. He has. Gone is the anger, the violent reactiveness to situations he can't control. He now has a finely honed mind, free of any non-psychopathic tendencies, and explains to the audience his new calling as a serial killer. He obligingly plans a diary that will include before-and-after Polaroid pictures - for posterity, you understand. We survey his collection of chain saws and other necessary equipment.The portrait of an unemotional but ruthlessly clinical and intelligent killer hearkens to many movies of this ilk, or popular fiction such as We Must Talk About Kevin. It is not particularly new, but there is always room for a new approach and I was interested to see how the cinematography tackled the subject, whether the scenes of gore would be particularly extreme censor-bait, memorably artistic, or whether it would develop new psychological twists.Intellectually, the film is fairly shallow, but could still appeal to gore-buffs. Antonio Frau's main raison d'etre is the old 'cleanse humanity of the scum' motive - rounding up prostitutes and other undesirables and purge them with pain before ridding humanity of their presence (all in the name of the Lord). The psychology mirrors the witchfinders of Roman Catholicism, aided and abetted then by a string of ingenious torturers, sexual perverts and willing official and non-official helpers. That age having passed (or at least transformed - the Church no longer having such power in modern day Spain), poor Antonio has to shoulder the divine burden all himself. "The Lord has chosen me for this very special task," he proclaims. The similarity, and the fact that Church brutality against 'witches' was mirrored on Old Testament torture, raises the question of copycat violence for the weak minded.Antonio's preferred method is to seem kind and generous until he has his victims in his grasp. He has a special room in the old lodging house with a table where he binds women of the night spread-eagled (usually he feeds them first and explains his special sexual needs, offering lots of dosh). Once they are tied up, he rapes them repeatedly, starves them for days, and then (for the good of their soul) hacks them into bits and puts the body parts in black bin bags.For its economy of images, most of which are above-average though not quite outstanding, H6 - Diary of an Assassin deserves some credit. One of the victims puts in a remarkably good performance as she is raped - the expressions on her face are horrifying. But the film falls short of even its own modest ambition. The camera looks away as limbs are hacked off, and the blood spurts look a little repetitive from one dismemberment to the next. Even more worrying in terms of continuity is the explicit camera shots between the girls' legs that always show neatly arranged panties even as Antonio dismounts.This film will be offensive to many people for the subject matter. For some horror buffs it will, ironically, be lacking in sufficient realism, at least by today's film-making standards, but there is enough to slake the blood-thirst of most fans of the genre. Others should probably stay away.

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