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Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.

Ove Sprogøe as  Egon Olsen
Morten Grunwald as  Benny Frandsen
Poul Bundgaard as  Kjeld Jensen
Kirsten Walther as  Yvonne Jensen
Jes Holtsø as  Børge Jensen
Lene Brøndum as  Fie
Bjørn Watt-Boolsen as  Baron Løvenvold
Ove Verner Hansen as  Bøffen
Axel Strøbye as  Detective Jensen
Ole Ernst as  Detective Holm

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Reviews

TBJCSKCNRRQTreviews
1976/10/01

This is quite probably the most mentioned and possibly even watched of the movies concerning The Olsen Gang. The reason is one scene that defines the genius that is the writing and directing that is Bahs and Balling and the Olsen-Banden movies: The scene at the Danish Royal theater, featuring both the Overture of Elverhøj and one of this country's two National Anthems. Just about everyone reading this probably already knows exactly what the scene details... and anyone who doesn't should not simply read about it. It's one of the most unforgettable scenes in movie history, as far as comedy goes. For my money, anyone who considers them-self to possess a sense of humor should watch this scene at least once, and it doesn't hurt to see it more than that. I've watched this film so much that the VHS tape is worn... and I'm still enjoying the scene immensely and noticing amazing details about it. The plot is well-written and interesting. Including nobility was a marvelous idea, and they have a lot of fun with the class. The pacing is right on... I was never bored for a second. The adding of Fie, Børge's girlfriend is great, and Lene Brøndum did a lot with an amount of lines that could practically be counted on a hand. Her facial and body language do most of her acting, and it works great. Ernst Meyer provides a delightfully Franco-phile chef. Bent Mejding gives an incredible performance in the small role of the conductor. And Asbjørn Andersen deserves a mention... his last role, a cameo, and then one so fitting. It could be argued that he portrays himself. The humor is very sophisticated and retains the human touch that makes these films stand head and shoulders above the typical Danish comedy of this period(whilst, admittedly, many of them are hilarious). There is a very small amount of cartoony humor in this one, but it's such a brief occurrence, it makes little difference one way or the other. The police are made fun of again, and this time, the granting of medals and such are added to the parody pile. There appears to be a common theme between this and the former... that of workers having outlived the time they grew up in and preferred to live in. "The good old days" are no more, so to speak. A bit in this that begs mention is when Poul Bundgaard and Ove Verner Hansen, who were both opera singers, both emit some rather deep vocal sounds. There's an added touch of irony when Bundgaard, being asked what it was he just did, replies "I don't know!" whilst grinning nervously. A thoroughly well-written and highly entertaining film in a great series. I recommend this to any fan of the series and/or of Danish comedy in general. I'd suggest you make sure to have watched as many of the previous films as you can first, for important background and character knowledge. 8/10

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McBuff
1976/10/02

What starts out as an okay entry in the long running Olsen-Banden series that started in 1968, emerges as one of the best, with a climactic heist in the Royal Danish Theatre with our gang blasting and drilling their way through the theatre to obtain the usual McGuffin (The Red Briefcase), set to the tunes of Kuhlau´s "Elverhøj", a cinematic moment of sheer genius, conceived and executed to perfection. That´s actor/director Asbjørn Andersen ("Reptilicus") in a cameo (his last) dressed as King Christian IV of Denmark. ***

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Kynde
1976/10/03

This is one of the most funny movies I have seen. It is so well done all the way. Not only does it contain the best scene ever put on film, where Olsen Banden breaks through the dressing rooms at the Royal Danish Theater, which has no match anywhere on film, but it also contains a multitude of other genius scenes created by the wizards Henning Bahs and Erik Balling. This is a real treat. Enjoy it.

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53748
1976/10/04

This is one of the peaks in Danish film history. The end scene in the Royal Danish Theatre is made with so much musicality that it could be compared to the early Disney-cartoons. But this is real people! Not a cartoon!

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