It is a pervasive feature of the written history of Chinese martial arts films (from CFW's long-extinct periodical "Martial Arts Movies" to the pioneering coffee table book "Martial Arts Movies: From Bruce Lee to the Ninjas" by Ric Meyers) that Jackie Chan languished in a series of both artistically and commercially disastrous films before attaining stardom in 1978 with "Snake in the Eagle's Shadow". The general idea is that Chan was being held back by his director/mentor Lo Wei, who was such a humorless square that he saw no merit in Chan's comedic aspirations and insisted on trying to sell the young actor as the new Bruce Lee in a series of straight dramatic roles. This contention has been repeated so often that even today it is uncritically accepted as fact. Well, guess what? It's a bunch of baloney. In the first place, Chan starred in only one Bruceploitation film: "New Fist of Fury". Thereafter, he was cast in period costume productions (in contrast to Lee, who never made a period film). Secondly, some of these movies--like "Snake and Crane Arts of Shaolin" and "Spiritual Kung-Fu"--featured comedic elements. Thirdly, Chan almost always did a respectable job when assigned a dramatic role. Finally, while there's no doubt that comedy kung-fu made him a star, it's debatable how good films like "Snake in the Eagle's Shadow" and "Drunken Master" really are. They were wildly popular, certainly, but unless you consider slapstick the highest art ever achieved by human civilization, they're pretty cringeworthy. "Magnificent Bodyguards", neither a deadly serious dramatic picture nor a screwball comedy, stars Chan alongside James Tien and Leung Siu-lung (Bruce Leung); they are martial arts experts who have been hired to escort a sick man on his journey to see a physician. Along the way they fight off bandits, hostile Buddhist monks and an assortment of other characters. Based on a tale by Taiwanese wuxia novelist Ku Lung, the film is not a classic by any means, but it's watchable. There are lengthy, entertaining fight scenes and Chan does just fine in his non-comedic role. (Bizarrely, the movie was shot in 3D, which is why there are so many kicks and jabbing weapons aimed directly at the camera.) Further putting the kibosh on the myth that Chan's early films were all unmitigated disasters, "Magnificent Bodyguards" was a success at the box office. Don't believe everything you read!

MAGNIFICENT BODYGUARDS, released in 1978, is one of the handful of films that Jackie made during his 'Lo Wei' period, a series of low budget films either produced or directed by Wei in the mid-to-late '70s that are often seen as having interchangeable plots and less than impressive direction. The good news is that the martial arts choreography was co-handled by Jackie in this film, so at least we're in for some quality fighting.Things open in the thick of action as we witness a long-haired Jackie fighting off a gang of pole-wielding warriors. It turns out that this is his way of applying for a job! Jackie is Ting Chung, dubbed "the world's fastest boxer", and he's quickly employed by the mysterious Lady Nan to act as a bodyguard for herself and her sick brother (who is confined to a sedan chair) as they cross through the bandit-ridden Stormy Mountains to reach a distant city. Jackie picks some hired help from the townsfolk and also chooses an additional bodyguard for the expedition, a deaf tanner played by the film's second kung fu star, Bruce Liang.The rest of the film chronicles the adventures of the party as it set offs through the Stormy Mountains. First stop is a ghost town inhabited by a strange old woman and two rival fighters – the God of Darts and Tsang, whose catchphrase is "I'll skin you alive!". In Tsang we have the film's third and final kung fu star, James Tien, and he quickly joins Lady Nan's party on its journey through the mountains. Soon the travellers are fighting with the various bandit chiefs in the vicinity, including the Scholar – a man who dresses in pink, wields a fan as a weapon and has a small box on his head (?), Lady Liu, the Old Wolf and the Fake Monk.There's an engaging interlude as the three bodyguards seek refuge inside a booby-trapped Shaolin Temple only to be attacked by bloodthirsty monks, deafening bells, and poison gas, and a little respite at the Peace Hotel. Finally the party is ambushed by every bandit in the region and trapped in a valley. Jackie sneaks out to find help, but is double-crossed and taken to the palace of the mountain ruler, Lord Chu. Once there, the others join him, there's a twist as the identity of Lady Nan's "brother" is revealed, and all hell breaks loose in a final massacre as Jackie and his buddies fight for survival.The one unique thing about this particular film is that it was made in 3D, a process by which objects were seen to 'pop' out of the screen when viewing a special print with supplied glasses at the cinema. Two of the 'biggest' 3D films of the era were JAWS 3D and Friday the 13th Part III, but MAGNIFICENT BODYGUARDS came first, approximately five years before. Essentially, the viewer will notice that many different things seem to jut out at the screen as they watch the film. These include poles flying out of the screen, swords slashing towards the viewer, pots flying toward the camera, and even freeze-frame shots of snakes at one point. Of course there are also plenty of fists and feet hurled toward the viewer and, in my favourite effect, polystyrene rocks smash down into the camera – the most effective 3D moment in the whole film! One of the notable things about MAGNIFICENT BODYGUARDS is that Jackie shares the limelight with two other action stars of the period. Bruce Liang was a popular Bruce Lee impersonator who appeared in many rip-offs and he proves to be pretty nimble in his fight scenes, using lots of strong leg work. Meanwhile, James Tien was always something of an under-appreciated actor – probably because he was a lot older than the co-stars in his films – but he does very well here as a tough, sword-wielding warrior. It goes without saying that Jackie shines in the various action scenes and the focus is on his hand-to-hand combat throughout.The film has a general feeling of weirdness to it that is not helped by the inclusion of some music from STAR WARS – some Chinese films were notorious for their disregard of international copyright laws. A jolly song pops up as the heroes trek through the mountains and is quite amusing. However, the almost complete lack of humour sets it apart from Jackie's funny later movies and some elements of the story border on the fantastical (I'm thinking of the six-fingered man and the Red Indians). There's also an extremely gruesome moment late in the film in which Jackie tears off a female opponent's face, an effect that comes as a total shock and seems very out of place considering the film's genial tone elsewhere. Still, the final, lengthy three-on-one fight scene is very well staged and helps the viewer to overlook this misjudged gore effect.

I rented a DVD dubbed in Engish. After watching many brilliant Jackie Chan movies in Mandarin with English subtitles, this was a dreadful disappointment. I cannot believe the poor quality of the dubbing, makes the whole film appear wooden. If we must have dubbing, why is it not done with Chinese accents? American accents and a poor standard of dubbing is just dreadful.The acting is also disappointing, far short if the usual Jackie Chan standard.Maybe if release in the original language with English subtitles, it would be far more interesting and make up for the poor dubbing.

Cool movie! Features a long-haired 24-year old Jackie Chan, great costumes, an improbably complicated plot, a bizarre song in the middle, American-Indian Mongol hordes, pre-Matrix "bullet time" fx, and much more.Basically, Jackie and cohorts - the magnificent bodyguards of the title - are hired to guard and transport a valuable cargo over some dangerous, bandit-infested mountains. Of course, nothing is what it seems, no-one can be trusted and there appears to be a lost tribe of American Indians wandering the hills.The version I saw was subtitled - it was fun hearing the original Chinese. Maybe that let the humour come out more. The movie doesn't take itself too seriously and only gets serious at the very end.Well worth a watch.