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Mike Windgren works on a boat in Acapulco, but when the bratty daughter of the boat owner gets him fired, Mike finds new work as a lifeguard and singer at a local hotel. Tensions increase when Mike runs into the rival lifeguard—who is also the champion diver of Mexico.

Elvis Presley as  Mike Windgren
Ursula Andress as  Marguerita Dauphin
Elsa Cárdenas as  Dolores Gomez
Paul Lukas as  Maximillian Dauphin
Larry Domasin as  Raoul Almeido
Alejandro Rey as  Moreno
Robert Carricart as  Jose Garcia
Teri Garr as  Hotel Guest (uncredited)
Charles Evans as  Mr. Harkins (uncredited)
Howard McNear as  Dr. Stevers (uncredited)

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Reviews

Harry Lags
1963/11/27

Released in 1963, "Fun in Acapulco" stars Elvis Presley as a lifeguard/singer at a ritzy Mexican resort who stirs the interest of two women and rivalry of a Mexican diver. Fun in Acapulco is an amusing musical/comedy directed by Richard Thorpe, the same director from 'Jailhouse Rock'.It plays out exactly as you expect and production values waver from scene to scene. But there's nearly always something cheery about Presley's movies, and this one is no different. If you can accept them for what they are, and ignore what a shame that Presley's early acting promise wasn't fulfilled? Then there's a good time to be had in Acapulco.The acting is good,a good fun story line and great singing make for a very enjoyable 95 mins. Recommended to all regardless of whether you're an Elvis fan or not. After all, how can you say no to Acapulco And Elvis..

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zardoz-13
1963/11/28

Veteran helmer Richard Thorpe directed two movies with Elvis. "Jailhouse Rock" came first in 1957, and the second one "Fun in Acapulco" followed in 1963. Comparably, "Jailhouse Rock" qualifies as the better of the two, with more grit and realism. "Jailhouse Rock" ranks one of Elvis' best musicals, and its black & white look contributes to its distinctive look. If you're counting, "Fun in Acapulco" was the King of Rock & Roll's thirteenth cinematic outing. Naturally, the action unfolds in scenic Acapulco. In real life, Elvis was nowhere near the popular Mexican resort spot when Thorpe was lensing the film with Oscar-winning cinematographer Daniel L. Fapp of "West Side Story" fame. According to Parménides García Saldaña, in his book entitled "Rey Criollo," the authorities had branded Elvis as an undesirable because two of his early movies had created such a stink in Mexico. Anyway, Elvis warbles such songs as "Fun In Acapulco," "Vino, Dinero Y Amor," "I Think I'm Gonna Like It Here," "Mexico," "El Toro," "Marguerita," "The Bullfighter Was A Lady," "(There's) No Room To Rhumba In A Sports Car," "Bossa Nova Baby," "You Can't Say No In Acapulco," and "Guadalajara." Other than Top 10 Billboard hit "Bossa Nova Baby," most of these tunes are entirely forgettable like this largely disposable romantic musical comedy. "Fun in Acapulco" is of some interest because Elvis plays a character with a flawed background. Look closely and you'll spot "Andy Griffith" regular Howard McNear in one of the night club scenes. Young Larry Domasin makes a cute little boy who serves as Elvis' manager. I cannot help feeling that Raoul might have been an in-joke jab at Elvis' promoter Colonel Tom Parker. Paul Lukas has a neat little role as a cook. "Fun in Acapulco" features only one Elvis brawl and it occurs ten minutes from fade-out.When we first see Elvis, he is Mike Windgren, the captain of a yacht. The daughter of the wealthy man who owns the yacht, Janie Harkins (Teri Hope of "Pajama Game") is a spoiled, bratty girl who drools over Elvis. Elvis wants nothing to do with this 'jail bait' siren, so she has him fired when her father catches her with alcohol in an Acapulco bar. Fortunately, Mike encounters a homeless Mexican shoeshine boy with street smarts, Raoul Almeido (Larry Domasin), who helps Elvis snag a job singing at the Acapulco Hilton run by one of his cousins, Mr. Ramírez (Alberto Morin of "Rio Grande"), who constantly has trouble with his current singer El Trovador who gives him nothing but grief. Mike agrees to fill in for El Trovador, if Ramírez will let him lifeguard at the pool "during the siesta for room and board, no pay." Ramírez does like to upset his employers and he fears that the current lifeguard, Moreno (Alejandro Rey of "Mr. Majestyk"), who is a cliff diver, will object to Mike's presence. Of course, matters are helped that Elvis has his eye on Moreno's stunning girlfriend, Marguerita Dauphin (Ursula Andress of "Dr. No"); later, Mike learns that the Hilton chef Maximillian Dauphin (Paul Lukas of "Watch on the Rhine") is Marguerita's father. An interesting scene occurs later when Elvis ascends to the top of the diving board at the Hilton and imagines himself as a high wire trapeze artist in the circus. He looks down at the pool but sees a circus arena. As it turns out, he was part of a high-wire family trapeze act called "The Flying Windgrens, and he misses the man that he is supposed to catch. Mike's brother plunged to his death. Mike lacks the nerve to dive off the board. This is probably the most interesting facet of this Elvis character. "Girls! Girls!Girls!" scenarist Allan Weiss hammers home this point when Mike refuses to be photographed after he wows the audiences who had listened to El Trovador. Predictably, Mike and Moreno clash over Marguerita. Secretly, Marguerita wants to go to America, and she believes that if Mike marries her that her father and she can immigrate. Meanwhile, Mike is trying to date Dolores Gomez (Elsa Cárdenas of "Giant") when Moreno interferes again. Later, when Mike performs again with Dolores as his date, Marguerita and Moreno are in the audience. Clearly, Marguerita is upset that she didn't come with Mike so she forces Moreno to take her home. Later, on a cliff overlooking the city at night, Dolores and Mike are smooching in her convertible sports car when they almost roll off the cliff because Dolores raised the emergency brake that was between them. This was an amusing little scene. Dolores is a somewhat interesting character because she is a female Mexican bullfighter. Before long Raoul has Mike booked in almost every night club in Acapulco. Eventually, Moreno learns about Mike's tragic history, and he calls Mike a "chicken" to his face. Mike receives a wire from his mother and father who want him to return to America so they can renew their act. Of course, the ultimate act for our hero to prove his courage is to dive off the challenging 136-foot cliffs of La Quebrada. Mike scales the mountain from the other side because the crowd prevents him from entering the dive area. We learn that Mike is Catholic because he bows at a shrine and makes the cross of Saint Mary before he makes his leap of faith. Of course, he completes the dive with no difficulty.Interestingly enough, we don't see Mike marry MMarguerita and take her father and her to America so he can resume his high wire trapeze act. Altogether, "Fun in Acapulco" makes for a harmless diversion.

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Bjorn (ODDBear)
1963/11/29

A typical Presley film that's quite enjoyable. Made a little before the King got bored with the indistinguishable material thrown at him and he gives a relaxed and likable performance here. Here he's playing a character who's trying to overcome a past trauma (an accident in a circus show which resulted in his brother's demise) by taking a job as a lifeguard at a hotel resort in Acapulco. But, with this being a Presley film, he also moonlights as a singer and has two knockout beauties wanting his full attention. The dramatic aspect here is actually quite good and what little Presley gets to show off in dramatic acting he pulls off well. Other than that; this is standard Presley fare. A few musical numbers in nightclubs, a shallow love story with the irresistible Andress, a macho rival for the girl's affections and a cute kid who befriends Elvis. Actually; the kid here (Larry Domasin) is quite funny and endearing and scenes involving the two are very good. The acting by Andress, Elsa Cardenas (as the other woman vying for Elvis's affections) and Alejandro Rey (as the fellow lifeguard and Presley's rival for Andress) is remarkably stilted. Elvis and the kid come off best. The songs here are fairly solid for Presley fans but none have become classics with the possible exception of "Bossa Nova" which is undoubtedly the highlight of this film's musical numbers. In the end; "Fun in Acapulco" is enjoyable for a Presley fan and others might just have a decent enough time. The scenery here is wonderful and you'll just wish you were there (as is the case with many Elvis films). Too bad the King hardly ever visited these great locations as he was always in studio and a body double used for the wide shots (and it's quite apparent in a few here).

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MARIO GAUCI
1963/11/30

While the title itself promised little more than the fluff the film undoubtedly turned out to be, I was still let down by this Presley vehicle – given that it was helmed by the man behind one of his biggest successes and best films, JAILHOUSE ROCK (1957)! The star plays an ex-trapeze artist with a guilt complex(!), while Mexico and Ursula Andress provide the scenery. The narrative involves Elvis befriending a resourceful kid who gets him singing jobs(!), plus a tedious subplot comprising the jealousy of both a lifeguard (Andress’ would-be boyfriend) and a lady bullfighter who has her eyes set on Presley. Paul Lukas turns up as Andress’ father, a deposed member of royalty now forced to performing chef’s duties – the image of him in an over-sized cap, coupled with his thick Hungarian accent, proves unintentionally hilarious…but his is a welcome presence, nonetheless.Needless to say, Elvis sings a number of mostly forgettable songs during the course of the film: the best of these, unsurprisingly, is another Leiber/Stoller song – “Bossa Nova Baby”.

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