A team of scientists working to raise a sunken Russian nuclear submarine on an ocean platform off the coast of Miami, Florida, unearth an ancient Atlantean relic from the sea floor and bring in an expert to make some sense of it. But while attempting to raise the sub, radioactive leakage from its missles triggers the re-emergence of Atlantis, and the resulting tidal wave destroys the platform and leaves only a small group of survivors. Rescued by two Vietnamvets-turned-heavies who are out relaxing after their latest job, their boat eventually runs aground on a Carribean island nearby where, upon going ashore, it is discovered that everything has been destroyed and everybody killed. The culprits, a vicious group of well-armed raiders, and their leader, Crystal Skull, are descendants of Atlantis' original race who set about reclaiming the world and adding the survivors to the list of victims as they struggle to stay alive and defeat the raiders and send Atlantis back to the ocean floor.
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A group of scientists, led by the nerdy Saunders (Hilton) and the attractive Dr. Rollins (Scola), go on a seafaring expedition and come across an old sunken relic they believe to be an artifact from Atlantis. While they're trying to figure out the significance of this skull-faced totem, a freak storm strands them on a Caribbean island. They then realize they're in a whole heap of trouble, because the island is dominated by murderous punks who are descendents of the original Atlanteans. Naturally they want to take over the world, and are led by a guy who not just worships a crystal skull, but actually wears the skull on his head! Such is his devotion to crystal skulls, his name is Crystal Skull (Baron). Just when the scientists start to despair, a pair of tough Vietnam vets, Mike Ross (Connelly) and Washington (King) come to their rescue and put their knowledge of weaponry and survival to good use. Will they defeat the punks? Or will the baddies from Atlantis rise again? Find out today!After getting off to a pretty slow start, The Raiders of Atlantis eventually kicks into gear and is a rollicking good time. Director Ruggero Deodato should be more well known for his action output, as action has infused much of his work in his long career, everything from Live Like A Cop, Die Like A Man (1976), to Cut and Run (1985) to The Barbarians (1987) - but his reputation is such that his name is synonymous with Italian horror. Nevertheless, Deodato delivers the goods with this, a sort of cross between the Indiana Jones movies (and he predated the crystal skull sequel by many years!), the A-Team and The Road Warrior (1981), among other "influences". By far the best part of this movie are the punks. The movie truly starts when they arrive on the scene. They have awesome outfits and vehicles. Just like how people in Cuba today are driving around in 50's Fords and Chevys, here too the Atlanteans have the classic cars, but in their case, drills and spikes are attached to them.Deodato assembled a top-notch cast for this, an "A-Team", if you will. Heh heh. Christopher Connelly is great as the leader with the raspy voice. The man can truly turn a phrase like no one else. He can call you a "Dirtball" with style and aplomb. Tony King is completely winning as his sidekick - it's largely because you get behind him that you want our heroes to succeed. Baron is suitably menacing as the guy who wears the crystal skull, George Hilton plays against type as the dorky scientist with the stylish shorts, and Ivan Rassimov, Michele Soavi, and Philippine-shot movie regular Mike Monty appear as well. So you can't ask for more in that department. The movie also scores points because the music is done by the DeAngelis brothers (using their usual pseudonym Oliver Onions), and the movie is set in the future, "1994", which is now the past, which we always love to see. Add some shooting, blow-ups, exploding helicopters, "pew-pew" lasers, and a high body count (including what we call a "fan favorite death"), and you have a complete night of entertainment in front of your VCR.Released on VHS by Prism in the U.S. back in the video store days, and now available as part of the "Grindhouse Experience vol.2" DVD set (which is out of print but still cheaply found on Amazon and elsewhere as of this writing), The Raiders of Atlantis provides a solid dose of Italian-made, Philippines-shot 80's action goodness.
This is one of the dumbest Italian films I've ever watched, but don't let that put you off – It's brilliant! The plot, what there is of it, concerns the ancient lost island of Atlantis somehow being brought up from the sea bed by the radiation from a sunken nuclear sub, causing either the Atlaneans or local humans to turn into Mad Max style killers and before you know it you've got everything being destroyed and everyone being killed – but don't worry. We've got a list of Italian exploitation vets out there willing to pick up a machine gun and blow these mental sub-aquatic upstarts to hell.You've got mercenaries Christopher Connolly (Strike Commando) and Tony King (The Last Hunter), professor George Hilton (Devil with Seven Faces), pilot Ivan Rassimov (Eaten Alive) dubbed by Nick Alexander (every Italian movie ever) in a double whammy of greatness, Michele Soavi (Blade in the Dark) and even Mike Monty (Zombi 3). These are the folks I'd be calling if the apocalypse loomed (even though at least four of them are no longer with us)! The head bad guy? Bruce Baron of The Ultimate Ninja fame! I'm getting faint just typing all that out.After meeting up on Connolly's boat after some lab is destroyed in a storm, our heroes head for the mainland and from then on it's a toe to toe battle with our ridiculous looking antagonists involving shotguns, loads of petrol bombs, machine guns and even some electrical wire (which chops off some guy's head).I love the way that Connolly and co lay waste to hundreds of Atlanteans over the course of the last hour of the film. Sure, he's no good at protecting people, especially when he promises three scared people they'll be fine shortly before they're all killed, but I reckon he was just fobbing them off anyway as they were distracting him from mowing down dozens of bad guys. There's a slim plot about a lady who can decipher all these languages getting drawn to Atlantis in some plot to free the Atlanteans (which confused me regarding who all the bad guys were), but just strap yourself in a let the contant sound of gunfire roll over you.I said this film was dumb, and I mean it. Soavi's character states at one point, when they're all trapped in a building, that he's going to scout around for a way out, then he walks out the front door and gets captured. Check out the Atlanteans – their costumes are like rejects from the Bronx Warriors! And what's with the echoey voices? And what purpose does it serve to have Tony King's character as a recent convert to Islam? It's this kind of stuff that draws me back to Italian films again and again.It's a Ruggero Deodato film, so there are fleeting bits of gore (decapitations, a woman being shot through the mouth with an arrow etc), and this is so much more a guilty free pleasure than Cannibal Holocaust – no animal cruelty here, thankfully. Get in! I loved this one.
What do a Russian nuclear waste laden submarine, the lost continent of Atlantis, a gang of violent post-apocalyptic biker thugs and two interracial Vietnam War buddies have in common? Well, I'm not exactly sure, but Italian cult director Ruggero Deodato nevertheless managed to deliver a fun and exciting exploitation movie featuring ALL of the above elements, and a heck of a lot more. "The Atlantis Interceptors" is an extremely entertaining time-waster, as long as you leave all your sense of intellect at the front door and just enjoy the show. The film exclusively offers plenty of testosterone-packed action, macho characters who swing around large machine guns, silly humor & cheesy dialogs ("If you were an island, where would you hide?") and costume designs that are directly stolen from John Carpenter's classic "Escape From N.Y". The leader of the "Interceptors" hides his face behind a crystal skull and drives a cool car tuned with sharp weapons. The music is pretty awesome, as usual in Italian exploitation treasures, and there a few familiar faces to be found in the cast. It was nice to see George Hilton again, although he aged rather badly since he was the star of copious amounts of Gialli and Spaghetti Western favorites of mine in the late 60's and early 70's. Ruggero Deodato directs with a solid sense of professionalism, but he clearly also realizes this isn't another fundamental effort like his notorious "Cannibal Holocaust". Hey, it's no masterpiece whatsoever but rest assured it deserves a much better rating that the lousy 2.8/10 that currently parades the main page. Just bring your sense of adventure and bad taste. Oh, and whatever you do remember the valuable moral of this movie: Do NOT dump nuclear waste in the oceans, because before you know it, Atlantis emerges to the surface again and mankind will be overrun by aggressive biker punks. Mmmkay, got that?
This is a terrible movie.If you take the Sea Devils episode of Doctor Who, The Road Warrior, Rambo, Indiana Jones, Star Wars, The A-Team and various other popular stuff and mix it together into a total mess, you have this film.This movie has: Paper-thin characters, Huge plot holes and leaps of logic, Dodgy special effects etc etc The only reason to watch this again is to mock it, that's the only enjoyment really to be gained out of this get a load of alcohol and a few mates into crappy movies and this should be an interesting subject for abuse. That's all it's good for. This is Italian exploitation at it's dumbest.The biker riding on headless and crashing into a bush was quite funny though.1/10