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Trailer Synopsis Cast Keywords

A comedy about a married couple -- he's a sports lawyer, she's a psychologist -- which takes place on their 16th wedding anniversary, when they make some startling confessions.

Woody Allen as  Nick Fifer
Bette Midler as  Dr. Deborah Finegold-Fifer
Bill Irwin as  Mime
Paul Mazursky as  Doctor Hans Clava
Joan Delaney as  Woman Interviewer
Marc Shaiman as  Pianist
Tichina Arnold as  Ticket Seller
Fabio as  Handsome Man

Reviews

Steve Pulaski
1991/02/22

Scenes from a Mall is a hard film to describe. It has a great premise, two great leads that immediately click, a skilled director, and a setting that is one of my favorites. Why the low rating? It's hard to put my finger on what actually goes wrong. The best way is to pick and choose certain scenes and events to explain why the film becomes inferior to expectations.The film is about Woody Allen and Bette Midler playing Nick and Deborah Fifer, a married couple with more baggage than you'd expect. He is a stressed out executive, and she is a marital psychotherapist. In honor of their sixteenth anniversary, they both agree to go to a trendy mall in order to pick up their anniversary gifts. She gets him a surfboard, with his name engraved on it, and he gets her a beautifully framed picture of the entire family.Deborah then finds out Nick has took part in several acts of infidelity. Nick then finds out Deborah has took part in several acts of infidelity. Rather than doing the logical thing and leaving the mall, they continue to wonder around the setting, squabbling, and getting attention from innocent bystanders.Does this sound like a film you'd truly like to see? No. But considering the remarkable talent involved most Woody fans would see it solely because he is in it. Right off the bat, the premise is tiresome. We hear many conversations, incorporating lengthy monologues and several fights. Only about a half a dozen truly interesting. Mostly because there is no zest. The couple is right, and so is the tone, but the true killer is the uninspired dialog.It doesn't seem to have much confidence in itself either. Because it's in a mall, or a sound stage built to look like a real functioning mall, inevitably, you like to look at all the background events. The film is pictorial, in every sense of the word. It relies on goofy setups rather than its own material. Maybe because it feels inferior, boring, or just plan self-conscious. Truthfully, it is a little boring, but those pictorial backdrops don't do much justice.When Deborah buys Nick the surfboard, what does he have to do? Carry the thing around the mall for most of the film. Rather than walking out to the car, he has to carry a big, yellow, protruding board while they walk around the mall aimlessly. At least the film doesn't have some ridiculous cartoon gag where Woody Allen's character hits people with it.There's also a mime, played by Bill Irwin, and he has got to be one of the most annoying film characters of all time. The mime is put in the mall to entertain shoppers, and in the film to provide a failure of comic relief. He mimics the bickering couple in frequent points of the film, and never seems to stop miming or being a nuisance. He's an unnecessary, poorly conceived character who has no purpose in a film like this.Some scenes work, some scenes don't. Some scenes are funny, some aren't. It's a mere gamble. Woody Allen and Bette Midler create some undeniably fantastic chemistry, but the rest of the film fumbles because that is truly the only thing it has to offer. Scene from a Mall is cute and often harmless, but it suffers from a dreary script and "too cute of a setting" syndrome.Starring: Bette Midler, Woody Allen, and Bill Irwin. Directed by: Paul Mazursky.

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Peter Kowalski
1991/02/23

Even though the movie is pretty much everything that Woody Allen is not, it's still somewhat enjoyable to see him paired with the amazing Bette Midler. The story is interesting to say the very least: it's their anniversary, and Nick (Allen) decides to share a secret. It so happens that they are located in a mall, and the drama is surrounded and contrasted by hundreds of neons, stores, billboards, colors, and excitement. In the midst of all this, a life shared for years is crumbling down, as Nick is not the only one with a secret. The movie, being interesting as it is, has its flaws. The dynamic between Deb (Midler) and Nick is sometimes unbearable as it shifts drastically from one side to another. They are both on two separate rollercoasters, and it's can be annoying. Perhaps the most charming feature is its never-ending symbolism. Every little thing can be interpreted as many different things in the movie, and I don't think the movie should be taken in as it is. There are many interesting aspects in the movie, and as always, Woody Allen delivers with his almost-there-over-the-top performance. All in all, it's probably not the easiest and not the best thing Allen has been a part of, but it's still worth it to see him yelling and talking about sex...because it always is.

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gcd70
1991/02/24

Well-regarded director Paul Mazursky's one joke film, "Scenes From a Mall", is a hopeless going nowhere comedy that only succeeds in making one yawn. The unoriginal, predictable script from Mazursky and co-writer Roger L. Simon manages but a few laughs, while the unlikely characters fail to generate any sympathy.This is not a memorable performance from the Divine Miss 'M' either, and while Woody Allen does okay, neither one of them create believable characters. Obviously Woody is better doing his own brand of dry, observational humour while Bette Midler has been better in dozens of other movies. Give this "scene" a miss!Saturday, February 22, 1992 - Video

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drosse67
1991/02/25

He lives in Southern California. He spends time in a mall. He carries a surfboard. He wears a ponytail. Is this really Woody Allen, or an imposter? This movie received a critical beating when it came out, but it's really not that bad. In fact, I sort of got a kick out of seeing Woody in this. He is well matched by Bette Midler, who reprises her Down and Out in Beverly Hills character. Director Paul Mazursky, who usually makes either Southern California or Manhattan-set social comedies, brings Woody out to the Beverly Hills that he's trashed in so many movies (the most obvious being Annie Hall), and plucks him into the center of '80s and '90s California consumerism--the mall. The story involves Allen and Midler discussing their infidelities in various mall settings, but the dialogue is merely a clothesline for the idea. It was a hard idea to pull off, but I, being the Woody Allen fan that I am, enjoyed it.

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