This has got to be one of the most rudimentary plotted and primitively accomplished horror movies of the (still relatively young) new Millennium, but personally I appreciated it a lot more than the vast majority of hi-tech computerized and wannabe trendy & intellectual flicks nowadays. And yes, I do realize I sound like an embittered old man! "Manhunt" is a prototypic so-called backwoods survival thriller and, moreover, a straightforwardly obvious ode to the pioneer and granddaddy of ALL backwoods survival thrillers "The Texas Chainsaw Massacre". The resembling plot is the most apparent tribute, of course, but director/co-writer Patrik Syversen expresses his respect and admirations for Tobe Hooper's horror landmark through a handful of minor details in particular, like for example the characters' similar minivan and the year in which the events supposedly take place, 1974, the release year of TCM. Setting the film in the early 70's has another great advantage, by the way, namely the elimination of some horrible clichés like the adolescent characters talking about their Facebook account the entire time and – most importantly – the elimination of the phrase: "I can't get a signal on my mobile phone!". Back then, girls also weren't as stupid as to go on a camping trip wearing make-up and stiletto heels, which makes it a lot easier for them to run from their assailants later on in the film. Anyways, so the year is 1974 and this quartet of youngsters – I deliberately refrain from calling them friends – are heading out to the middle of Norwegian nowhere to go camping. They pick up an extremely nervous female hitch-hiker at a roadside diner and this quickly turns out to be a very bad idea. Shortly after, they find themselves relentlessly pursued by a trio of seemingly motiveless but ultimately savage huntsmen. The biggest trump of "Manhunt" is undeniably the tense and ominous atmosphere. The film isn't just set in the year 1974; it often actually feels like you're watching a 70's flick, what with its raw cinematography and nihilistic tone. Another big trump here is the characterization of the villains. I usually prefer to know a bit about the bad guys' background and/or motivations, but the fact that they remain mysterious, vague and silent throughout the entire film here actually contributes to the gritty overall tone and disturbance level. We only know that they hunt down and set booby traps for human beings instead of animals and that they're unbelievably cruel. For example, they use barb wire to tie up their victims instead of regular rope and stab women in the back of their necks without hesitating. Needless to say "Manhunt" can be considered quite shocking and sick. I assume that the majority of the available budget went to the make-up department to buy blood and fake intestines. Money well spent, as the killing sequences are truly a horror fanatic's delight! The filming locations, acting performances and rough editing are also very suitable to the type of film the makers wanted to deliver.

I was encouraged to seek this out after having seen it trailed on, I think, the Horror Channel and had the impression that it was probably US independent and most stylish. This was either a misleading trailer or a marvellous bit of editing my the TV people. This is Norwegian, not that the subtitles present much of a problem because after the set up there is not that much dialogue. The baddies don't say a word. The real trouble for me was that the youngsters are such an absolute pain that I can't wait for them to get got. It is not a terrible film and the pacing is good as are the action sequences but it just didn't take me along, I'm afraid. Shows how much attention I paid as I've just noticed from the DVD box that the film was set in 1974. I hadn't noticed it was a period piece, nor know why it was but maybe the director was saying something about youngsters in the 70s and that's why I didn't take to them. But hey, life's too short.

Four young people travel by van through the forest grown inland of Norway in 1974.During their stay at a gas station frightened girl asks them for a lift.The driver agrees without hesitation.Bad choice!Soon the entire group is hunted and systematically murdered in the deep Norwegian woods by three crazed rednecks.I'm a big fan of backwoods survival horror and "Rovdyr" doesn't disappoint.The violence comes thick and fast and is brutal.The film is surely influenced by "The Texas Chainsaw Massacre","Rituals" and "Deliverance",but the pace is fast and the acting is strong.The look of "Rovdyr" captures well the backwoods terror cinema of 70's.So if you want your horror fast and furious then "Backwoods" delivers the gore in spades.9 out of 10.

Wow, this movie is underrated by IMDb users. Just saw this again on DVD, and it still holds up. A lot of people i know really love this movie, so I'll give it a ten just to even things out.The people who dislike it don't seem to be familiar with the sub-genre it obviously homages. Rovdyr is an exploitation-film in the best sense; a dirty, uncompromising little low-budget gem devoid of pretensions. Hell, it even has a David Hess song on the opening titles! It seems like most people expected a snappy and glossy teen-flick with lots of twists and turns, but what they got was a dirty and gritty horror-film that pulls no punches.The films style is rugged, and it comes across as a simple and horrific survival-horror. It doesn't focus on plot, this is not a whodunnit by all means, but it's more about the exact situations the characters face and how they react to it, as survival-horrors are supposed to. As always in these films, the prey becomes the hunter and the characters find their inner strength and so on. So nothing new, but it's well done.The actors are good as well, being both realistic and believable in the beginning, and convincingly portraying real terror as all hell breaks loose. This is actually pretty powerful stuff. It's well shot, with a dirty visual style, almost all hand-held and in close-ups throughout the film. The sound-design is top-notch, and the music by Simon Boswell (who also scored Jodorowskis "Santa Sangre" among others, another cool detail) is surprisingly serious and emotional. It's evident that the folks behind this film love the genre, know the genre and take it seriously. The effects are great and the violence is punishing too; there's some really nasty stuff here.Sure, we've seen these types of films before, but done right it's always entertaining. It's as if someone made a shameless rip-off of The Texas Chainsaw Massacre in 1975, without any of our modern-day influences, intending it to play in drive-in theaters. There are a few problems in the first act, and sometimes you wish they had been more original, but it's simplicity is also one of it's major strengths, so i guess it evens out.So, this is not a flawless piece, but i liked it because it was brutal and true to its roots.I also read somewhere that the director was just 24 years old when they started shooting it, that it was made for an extremely low budget, and that the main crew worked for very little money in order to make this film. Take that into account and it's a pretty impressive little film.