OK, I haven't seen the movie yet - heck, I'm only about 2/3 of the way through the book - but I just want to let the SA reviewers know that if the book is any indication, stop worrying about whether international viewers/readers will get it. All the descriptors and comparisons - coming-of-age, Catch-22, Lord of the Flies - are inadequate. Spud transcends any comparison to become its own unique moment in world history and personal history. It's not only young John Milton's maturing to manhood, but the entire nation's maturing out of apartheid that we see played out here in subtle, powerful parallel.It's a magnificent, universal story that rings with truth, and I am so very happy my friend Sue, in Cape Town, recommended it.

It's a rare movie that manages to be both cute and naive, mature and interesting; Spud achieves the paradox to perfection. Anchored by the superb Troye Sivian, this is an easygoing, often funny coming of age story set in a South African boarding school. Whilst the issues of the country are referenced, they are not essential to the plot or even the characterization - people from any nationality will be able to enjoy this.There is a great dynamic amongst the cast of a whole. The boys in the Crazy 8 appear natural, with a great chemistry and sense of fun, which stop the film getting weighed down by the emotional issues encompassing growing up, fitting in and bullying that crop up. Sivian steals the show as the title character, with an astonishingly touching and believable performance that belies his years. He's also beautifully shot, the director capturing the wide eyed wonder of his endlessly expressive face, shy and insecure but growing in confidence. Cleese is the best of the adults, being both understated and moving as Spud's alcoholic mentor. His scenes with Sivian are especially notable, and are really the heart and soul of the whole film.Thematically this is essentially a piece about both choice and fate - the importance of making the right decision, whilst never losing sight of the fact we can only play the cards that life has dealt us. If this sounds on paper a little heavy for a school drama, it doesn't feel it in practice. There is no philosophy shoved down the viewers throat, and although the film has points to make and issues to explore, it does it in a subtle enough way that it will not hinder the enjoyment of kids and young adults who might want some light entertainment of lesser substance.The only gripe was the somewhat tragic ending - the death of a character close to the hero is a perennial plot device of scriptwriters and filmmakers, but it is still a very lazy way of drawing pathos and emotion from the viewer. In this case it was well built to but still felt unnecessary. While I'm not suggesting every film should end on unrealistically joyful terms, there are other ways to create sympathy than blunt death, and it didn't seem necessary in this case in relation to the plot, character or tone of the film. Overall, though, this is a wonderful piece, both funny and moving and engrossing. More people should see it.

One Friday, I had a really difficult day (you know, one of those days where everything goes wrong…). I really needed some relaxation. Then, I remembered the place where I can switch off more than just my cellphone, the cinema. Arriving at the cinema, I saw the Spud poster. Now, I've seen the book in the bookshops, saw the good reviews everywhere and decided to check it out for myself. People, what can I say- I was stunned from the moment that the movie started. NEVER before, in my 22 years alive, have I seen such an amazing movie produced in South Africa. The movie is about a young boy (John Milton, played by the amazingly talented actor Troye Sivan) whose parents are far beyond crazy and his Gran (Wombat) who lost her marbles completely. It's his first year at an elite boys- only private school. He's just an ordinary, skinny boy and is suddenly surrounded by boys with nicknames like Boggo (a porn addict), Gecko (a boy as white as a ghost) , Rambo (the dormitory leader), Rain Man (who is completely demented) and Mad Dog (who loves hunting)… John later gets the nickname (Spud) when he has to shower with the boys… See for yourself why he gets that nickname...As sensitive and innocent as he is, the 13 year old Spud finds it difficult to adapt and also to share a dormitory with them. The movie is also about Spud's first steps to manhood and how he experiences it. He discovers alcohol, girls and… literature! Later Spud, the innocent and sensitive boy, becomes more relaxed and starts to join the others in their 'naughty adventures', like sneaking out at night for a 'highly illegal night swim' outside the school. Spud's best friend Gecko (who isn't a very health boy) will also have you laughing and crying a lot in the movie. John (Spud) possesses a wonderful talent- singing- that will amaze the entire school and the girls and obviously you, the viewer! (The actor Troye Sivan did all the singing in the movie himself).This movie is filled with a wonderful blend of colorful characters that provide entertainment beyond your wildest imagination. There is The Guv (played by the amazing International actor John Cleese) who teaches Spud more about literature and women… The Guv is known for his hilarious quotes like: 'Women, can't live with them, can't ship them off to Zimbabwe' (John Cleese was an excellent choice for the role!)The movie was shot entirely on location where the the best- selling book of John van De Ruit is also based- at the Michaelhouse School in the beautiful Natal Midlands. The writer also completed his high school career here. The Beautiful scenery of the Midlands and old school building, and 80's and early 90's soundtrack also adds pizazz to the movie, making it unforgettable! The movie was edited beautifully and contains all the important story lines as read in the book, which means you won't be disappointed if you read the book first! Unfortunately, some story lines (like the Namibia Wombat storyline) had to be left out as the movie only allows 90 minutes of material. The screenplay was magnificent. The movie also features never-seen-before beauties from our own country, such as 'Mermaid' (played by Genna Blair) that will be Spud's first kiss, the gorgeous Amanda (played by Charlbi Dean Kriek), Tanit Phoenix as the flirty'Eve' and more talented actors, all from South Africa!

I went in with very low expectations as I usually do for most south African films but with a revitalisation of the local film industry I thought let me do the right thing and give it a chance.Well I'm glad I did, for two reasons, one the film was very well acted and all credit goes to "Spud" as well as the inimitable Mr Cleese, an unsung icon of the silver screen if every there was one, and two it's great to see something other than Schuster Slapstick or Afrikaans kitsch making money at the local is lekker box office.So why the 6 out of 10. A few things spring to mind. The direction, with all due respect to Donavon Marsh, felt very pedestrian, nothing jumped out of the screen as feeling fresh or original. I realise the film was set in 1990 but did it have to feel like it was made in 1990.The pace was off - it felt all over the place - sometimes it dragged and sometimes it was a great time at the movies. The editing of the film seemed very rushed, obvious and almost unfinished (which is unusual considering Megan Gill is probably our biggest editing export) (maybe that's just professional jealously talking ;) and lastly which for me was the greatest problem of all was the appalling musical score which really diluted so many of the films key dramatic moments.Why Ed Jordan was used to create anything other than a cheesy early nineties advertising jingle is beyond me.But look this may sound terribly negative but the film showed huge promise and with more time, tighter scissors and a vastly different score we could have had south Africa's answer to, dare I day it "Dead Poets Society Lite" But well done - very valiant effort with it heart in all the right places... :)