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An engrossing spectacle set in the 4th-century BC, in which Alexander of Greece leads his troops forth, conquering all of the known world, in the belief that the Greek way of thinking will bring enlightenment to people. The son of the barbaric and ruthless King Philip of Macedonia, Alexander achieved glory in his short but remarkable life.

Richard Burton as  Alexander
Fredric March as  Philip of Macedonia
Claire Bloom as  Barsine
Barry Jones as  Aristotle
Harry Andrews as  Darius
Stanley Baker as  Attalus
Niall MacGinnis as  Parmenio
Peter Cushing as  Memmon
Michael Hordern as  Demosthenes
Danielle Darrieux as  Olympias

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Reviews

jubilee77
1956/03/28

Throughout his rather short life (33 years quite short for its time), Alexander the Great conquered much of the Middle East and a TV programme titled "In the Footsteps of Alexander the Great" by Michael Wood would provide a fascinating but complex insight and on whether one would consider him to be a hero or villain and even two films have been made and it may even explain why these have been so-sos.On the 1955 film starring Richard Burton, this one was a bit dreary and the likeliest reason for its failure was due to the inability of screenwriter, producer and director Robert Rossen to hold the story together and it sometimes became known as "Alexander the Bore" and Burton may have been miscast as the Greek warrior but the plus side of Burton playing Alexander was his remarkable voice and the fact is that it looked to be that Burton played Alexander the Great in a similar fashion as he did when starring as Marcellus in The Robe. The Oliver Stone version that was premiered in 2004 looked to be more promising but it's not necessarily better and had also been heavily criticised for a number of reasons. Therefore, the complicated history of a warrior whom conquered the middle east 2.300 years ago may explain the reason for the failure of those two films.

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Daniel Kincaid
1956/03/29

"Alexander the Great" not surprisingly attempts to portray the life of Alexander the Great. On the surface it seems as though it should be excellent considering that the cast is led by two prolific actors, Richard Burton and Fredric March as Alexander and his father Philip respectively. The film also features elegant costumes and lavish sets laden with depictions of ancient art and architecture. However, all of these attributes disappointingly don't prevent the film from being extremely tedious.The film starts with Alexander's earlier life in Macedon and is mostly focused on portraying antagonisms between Alexander and Philip and the relationship of Alexander's mother to both. Richard Burton and Fredric March have some fine moments, but for the most part their dialogue is uninteresting, which makes the film mostly dull since most of the scenes in the film show lengthy discourses. There are jokes added as well that are often followed by a number laughing, but the humor is mostly stale. There is one amusing point where Philip suggests that Alexander should wait until he is dead before naming a city after himself, but this represents an exception rather than the norm. Barry Jones did give an enjoyable performance as Aristotle, although he is only a marginal element in the film.During this first phase of the film the Battle of Chaeronea of is also portrayed, where forces led by Philip and Alexander defeated a combined Athenian and Theban force in order to unite Greece under Macedonian rule. The battle, despite having an array of extras in it, is handled clumsily. It starts with brief shots of infantry and cavalry crossing a stream and then fighting out of formation. Then the focused is placed on Philip fighting one-on-one and Alexander charging in after him. This portrayal seems to bear little to no resemblance to the actual battle of history, is short in duration and not particularly exciting.Shortly after half way through the film, Philip dies and the film moves to a portrayal of Alexander's military exploits in Persia. It is in this stage we are introduced to Memnon, a Greek fighting with the Persians. Peter Cushing gives a strong performance as Memnon armed with sharp lines, making his the top performance of the film though the character is seen in relatively few scenes. Harry Andrews is also notable as the Persian emperor Darius, though Darius is never made particularly interesting in the context of an opponent to Alexander. However, the scene representing the correspondence between Darius and Alexander showing the "clash of egos" was well-done.Most of this phase of the film is a rotation between short battle scenes and more mostly dull dialogue with some rare decent scenes. The Battle of the Granicus is shown basically as a brief cavalry charge. The treatment of Granicus is better than the treatment of Chaeronea, but not much better. There is another final battle between Alexander and Darius, presumably intended to represent the Battle of Gaugamela. The battle starts with a Perisan chariot charge and seems as though it will be interesting, but it quickly culminates in a brief uninteresting cavalry charge as well. The main problem with these battle scenes is that they fail to give a sense of Alexander's military genius. It seems as though he just accumulated territory through a series of brief heroic cavalry charges and the film never represents the tactics used in any of the battles. These are also a series of brief and unnecessary battle clips overlapped by a map of Persia to represent the conquests not shown in "fuller" battles. After Alexander's conquests, the film ends poorly with an uninteresting "harmony and unity" speech from Alexander for Greeks and Persians. "Alexander the Great" is a colossal bore, and I strongly recommend avoiding it.

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peejoui
1956/03/30

Amongst all the other 'greats' on show, this dreadful over-acting ham really scaled the heights of grotesque rubbish in this film. As always, he delivered his lines in that constipated, yet far too rapid way. Please also look at the scene where he stabs his father's killer.....if you need lessons in putrid acting, look there. The battle scenes were short and pathetic; the costumes laughable. Then there were the cities. Seems all the money went on the alcoholic, as there was little or no attempt at accuracy and/or grandeur. Michael Hrodern was OK though!Dire film capped by this dire little man. Along with that Brando creature and Olivier, this idiot goes to show how stupid, crass and ridiculous actors are. Oh, and their fans. Execrable filth.

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jamesvaleri
1956/03/31

Great Quote: At Troy, Achilles found his Hector and he killed him. Who will be my Hector? TO THE GOD OF BATTLES! I thought the 1956 was long and boring but compared to the Stone version, it deserves 10 Stars! Oliver Stone has lost it, has he realized yet that he can succeed in 20th Century topics (JFK, Platoon and Wall Street)!!! Although Oliver Stone botched his attempt at Alexander, I do believe that there will someday be a great Alexander the Great film. It will probably be another 50 years before it is tried again. Oh, well! The story has been around for over 2,300 years. What is another 50 years. I just hope the next one works!

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