In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn't seen in decades.
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Reviews
The first scene, composed of three tracking shots, and showing happy pre-Castro Cuban beach-goers is pleasant and appealing. A political prisoner (Juan Raoul Perez) flees to the US looking for his wife (Carmela)and his daughter (Teresa) he hasn't seen for 20 years. On the boat and in the fugitives' camp he gets to know a girl (Dorita Evita Perez) with whom he starts a fake family to speed up the immigration procedure. By the time he manages to meet with his wife Carmela he has already fallen in love with Dorita, and Carmela with a policeman. Happy Ending. Dorita is an exuberant, sensual and sweet character. Juan well represents the estrangement of a prisoner and immigrant ( in a way, he recalls the Castaway of "L'invenzione di Morel"). The movie is worth seeing for few good scenes (like the one where Dorita learns that John Wayne is dead and starts crying), Marisa Tomei's beauty, and some Cuban music.
I love this movie. I remember I was seeing a play "Ragtime" and I wondered if an immigration movie/play existed that was not incredibly depressing and then I remembered "The Perez Family". It's like that excercise where a shrink tells the husband to pretend he's interested in sex with his wife and then it the feelings actually occur. Here they pretend to be a family to get through immigration and then they actually do begin to care for one another and be like a true family.I also loved how it could get a little surealistic at moments. For example when they first arrive in the Oragebowl and Juan fears they're gonna be shot and then they are suddenly surrounded by a laughing crowd. Or the moment Juan sees his wife kissing the cop and as he crushes the photo we see a red stain appear over his heart. That was so subtle I only caught it with repeated vewings. The soundtrach even is simpally amazing. And yes Marisa Tomei has never been hotter! ;-)I also loved a lot of the minor roles such as the Indian immigration official who clearly realizes what's going on and clearly doesn't care. I loved that little sarcastic eyeroll he does when he talks about, "Cowboys . . . and Indians!"Overall it's just such a sweet heartwarming film which is such a change from the usual "the more depressing the more deep and artistic" immigration film. Sure some of it was pretty silly, coincidental, and over the top but "My Big Fat Greek Wedding" wasn't?
Nothing else good on TV, and not feeling like going to the DVD store, we watched "Perez Family" on WE network. Molina's wife and child go to Miami by boat from Cuba, he stays behind to care for the sugar cane, lands in jail for a long time. Twenty years later he manages to leave, and on the boat meets Marisa Tomei, a sexy Cuban prostitute, who at arrival in Key West suggests they represent themselves as "Perez and Perez", a married couple. They begin a life in Miami, his real wife turns up (Angelica Huston), she has fallen for a policeman (Chaz Palminteri), meanwhile Molina and Tomei begin to appreciate each other.In the climax, Molina and Huston meet up at a dance, 20 years after they last saw each other, they smile, are cordial, but they prefer the lives that fate has dealt them, Molina and Tomei stay together, his wife and the policeman stay together. Not heavy, a cute little romantic comedy. Marisa Tomei is so good!
We didn't expect much from this rental that we had never heard of but ended up being delighted. Marisa Tomei was an absolute delight. Angelica Houston was different than we have ever seen her and looked very attractive. Very, very good movie with a little bit of everything you could want. Marisa Tomei was wonderful.
