Shanghai Joe is just a regular Chinese guy who has moved to America to get a good job and live the dream. Sadly for Joe everyone he comes across is a racist moron who don't want Joe to get anywhere. Sadly for them Joe tends to lose his rag and beat everyone who crosses him into submission.This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.

In 1882, spunky Chinese man Shanghai Joe hops atop a stagecoach from San Francisco (subtitle says St. Francisco!) to Texas in order to become a cowboy and ends up having to defend himself against a seemingly endless stream of trash-talking rednecks.Soon Joe runs afoul of a group of nasty human smugglers who send four colorful hired killers to do him in, including Gordon Mitchell, a cannibal, and scalp-collector Klaus Kinski!Coming out on the heels of the hit television show "Kung Fu", The Fighting Fists Of Shanghai Joe is a lot better than it's Italian knock-off status would suggest.It's almost all non-stop action with loads of flying fists and flying lead. Blood, a bit of gore, and a great Ennio Morricone sounding score by Bruno Nicolai all fit the comic book nature of the film quite nicely!In the title role, Chen Lee is really good and should have been in more movies than he was.

Immigrant Shanghai Joe (Chen Lee) moves from St. Francisco (sic) to Texas in 1882 in search of a life as a cowboy. Of course, he greets racism and adversity at every turn thanks to the local good ol' boys. Holy crap! I grabbed this film at random off a stack of DVDs and it was fun as hell. I'm not the biggest western fan (my filmdom shame) so I usually need an element to spice it up and throwing kung fu in there did the trick. This movie rarely slows down as Joe bounces from one battle to the next. The main crux has him on the run with a bounty on his head after he turns on a rancher using illegal immigrants. Top billed co- stars Gordon Mitchell and Klaus Kinski pop up as two bounty hunters and have about 5 minutes of screen time max. Director Mario Caiano gets the most out of the US locations (a widescreen copy is a must) and knows when to use slo-mo to great effect. He even throws in some surprisingly gory bits like a guy getting his eyeballs ripped out and a chest being punctured. Joe don't fool around! THE RETURN OF SHANGHAI JOE followed in 1975 with Kinski as a different character.

very weird European take on the Spaghetti western-Kung fu connection that has haunted Hong Kong cinema since Shaw Bros. started using borrowed Ennio Morricone music for their films in the later '60s.There is much to be said of this weird connection; but for now, let's remark that while "Shanghai Joe" shows really very little understanding of Kung Fu, it shows considerable savvy about Spaghetti Westerns; the action rarely lags, and the heros are heroic, the villains are villainous - yep, a good B-movie all around, perfect Saturday Matinée fare from its era.(Cinephiles - note the tribute to Sergoi Leone at the end - a definite plus for me.) I agree -fun film of its type & date.