First, the fact that Jess was even remotely fooled by Roman's pretending to have woken from his coma with a paranormal body-switch as his brother Ryan is preposterous. He presumably created some false memories for himself by sorting through her mementos box, but does anyone believe that that would be enough for her to fall for his ruse? A married couple who were that much in love would have so much more familiarity with each other than just a few shared memories. Does anyone believe that Roman would really be able to fake the subtle nuances and chemistry that existed between Ryan and Jess? In order to completely transform himself from a cold, hard, woman-beating criminal bad-ass to the totally sensitive woman-whipped romantic that Ryan was, he would have to be the greatest actor in the world.And to top it off, he's able to concoct and execute this plan immediately after waking up from his coma, realizing that his brother is still in one, all in the less than one hour time frame it took for the doctors to call Jess in to the hospital. Any medical person familiar with comas knows that when someone is out for that long - 3 weeks according the movie - it may take him a day or more just to remember his own name! Second, what was all those scenes regarding the mixing of the blood on the concrete at the scene of the crash and the paranormal stuff where Ryan in his coma was continually spasming in connection with the events Roman was going through? Considering that it turns out that Roman was just faking it, those scenes made absolutely no sense.I give it three out of ten just because some of the technical aspects of the movie, the lighting, overall coloring and feel, and soundtrack were at least professionally done. And the acting was not bad considering the horrible plot. Sarah Michelle Gellar was pretty good at least during the part when she was rejecting Roman and his ridiculous plot.

It's not even a thriller! This is just a suspense/drama film. The concept is better than the execution. Pace is the best thing about the film, but even he struggles with a role that isn't written with any real depth. How is he in love with the protagonist if he just got out of jail? Because she took his case? SMG's character is poorly developed and the whole relationship triangle seems poorly developed, with confusing time-lines to boot. However, I do agree with the reviewer above who says that the US DVD version's alternate ending works better. It is more intriguing in terms of what both characters appear to know about themselves and each other. How long will Roman be able to hold it together with his change of mindset? Why does SMG's character decide to take such risks? Did she learn to love him for real, or is she just mourning her husband? Anyway, the alternate ending was more satisfying by far than the hackneyed ending of the actual release, which really makes no sense, and appears slapped together. The thought that Ryan's neurologist is evidently also an obstetrician, as suggested in one of the closing scenes, is laughable, for instance. Only die-hard SMG and Pace fans. I can't remember the time when I've seen a movie with such a markedly different alternate ending where where the alternate was so much better than the released film. will find much to savor here.

Possession is one of the best films in actress Sarah Michelle Gellar's filmography...something which does not represent too much flattery.As I have mentioned in other occasions, I was a huge fan of the TV series Buffy: The Vampire Slayer, and I think that Gellar brought a brilliant performance in there.However, most of the films Gellar has been involved in are bad, and she was absolutely wasted in many of them.However, Possession kept me entertained, despite the facts that is not very memorable and that it feels a bit bland.The story from Possession is not very original; nevertheless, I liked the performances, the atmosphere and the methodic path the screenplay takes until leading to the "tense" ending, which is not very tense by itself, but which seems so thanks to the solid works from Gellar and Lee Pace.In conclusion, I think Possession deserves a moderate recommendation, mainly because of the performances, Joel Bergvall's and Simon Sanquist's efficient direction, and the screenplay, which does not offer too many new things, but at least is well structured.In other words, Possession is competent, but it lacks of something special to make it memorable.

I may review this report after watching the film a second time. this time around, I was most disappointed, expecting from the DVD sleeve promotion and the very title of the film, a demonic horror thriller. No such thing.Another love triangle involving a young woman and two brothers, this is a soppy sentimental love story but I can see where people are coming from in thinking the husband Ryan has possessed the soul of his brother as a result of the accident. they could have fed off the recent film 'Brothers' which had a war topic to the story and although not great, delivered the goods. this film doesn't.There is no real drama or horror in this movie and the ending is macabre to say the least. The acting is below standard even from the leading lady and the script is poor, the story told with so slow a pace it was excruciating.Checking IMDb, there are quite a few films by the same title and it was difficult at first to identify the correct film on which to post the review.There have been some very sensible and to the point comments by previous commentators about this movie. it remains to be seen whether I revise this review after a second viewing.