Poland, 1978. Edward Srodon, a zootechnician, makes an accidental stop at the Dziabas family farm, located in the remote area of the Bieszczady Mountains. Years later, on a winter day during Martial Law, a People's Militia investigation team examines a crime scene.
Reviews
The Dark House sees a man pack up and leave after the death of his wife. He stumbles across an old farm house where a father and daughter live. This is no simple narrative though. Running parallel to this is the same man taking police through the scene of a suggested crime. Is this man a witness? A suspect? A victim? The film gradually unfolds to reveal his story. This sounds engaging on its own but there is yet another layer. Political aspects may have some control over the police and how they want this case to turn out. The police aren't exactly in the moment, talking about their doctors, having snowball fights, blowing up condoms to hit each other with, or just enjoying the vodka. There's certainly a lot of satire that I probably missed, not being polish, but this is still a well plotted and beautifully shot thriller.
As the title says its really bad, some of it is funny. It is a polish film i don't really know what to make of some of the things i seen in this film. Apparently it takes roughly 8 police and 2 civilians and a witness to examine a crime scene. Doesn't help that the police are swilling vodka like its going out of style, also one of the cops has a baby during this movie. None of these things tie the storyline together or really have anything to do with anything really. It was entertaining to see drunk people/cops get smashed and fight each other and act like general retards. The murders are equally silly and the people doing that part were generally unbelievable as the police. I'd stay away from this movie unless you like watching drunken people on screen acting like tards
This is an astounding film, bleak, grim, more than gritty and for those of us who were not brought up in an Eastern Bloc country a remarkable insight into the machinations of small town corruption Polish style.Films like this should be seen by a wider audience, it was a captivating experience to sit and view the inner workings of this elaborate (sometimes overly) story.There was just too much 'going on' in the story and some of it could have been left on the cutting room floor to give a tighter film, but that is a small critique of what is a disturbing look back at communism at 'street level'If you like your cinema real...don't miss the opportunity to see this slice of Polish communistic vodka sodden culture.
This, like Wojciech Smarzowski's previous outing, is an exploration of the side of Poland that many film makers don't want to show. Neither the plot nor the characters offer any hope that there'll be a happy ending, and it is easy to find yourself feeling suffocated in the cesspool of corruption and self-interest that the film presents. The story follows the investigation into the murder of a family on a farm in 1978. This is used to highlight the ineptitude and indifference of the local police and the thick coat of corruption which stains everybody involved in the story.As with 'Wesele' ['the Wedding'], the director's previous feature, the story is fictional but is very firmly based on fact. It is uncompromising, compelling and very well-made, and is suited for those who want something eye-opening and gritty.
