Well I watched another f----d up horny movie. This one is called Malicious and it's an Italian movie from 1973. It starts out at this lady's funeral. Her name sounds like that kind of pizza.... Nevermind. Anyway, she dies and leaves behind a husband and three kids. All sons. They get this lady to become the caretaker. Like, a young lady. First, the Caretaker Lady's job seems to involve a lot of checking to see if the youngest kid has wet the bed in the middle of the night. I figured at this point that I was watching a depressing move, which was funny because I'd found it by googling "best 70s Italian sex comedies". But then it gets horny. And weird.The bit of this movie is that the widower, the teenage son, and the just-barely-hit-puberty son are all horny for Caretaker Lady. Bawdy, right? No. It's f----d up and weird, and not by accident. That's what this movie is going for. See, the Widower--who has a big sad picture of his dead wife on the wall of his bedroom, by the way--gets horny for Caretaker Lady. Obviously just like perving out watching her while she does her chores, stuff like that. But when he sees Teenage Son perving out on her, doing the same s--t, he's all mad. Now folks, Teenage Son is a freaking idiot. And a pushy creep. And he keeps failing miserably at getting horny with Caretaker Lady and making a fool of himself in the process. But not our protagonist, the Barely Pubescent Tween. No, Protagonist Tween is a f----g stone cold psychopath, and a f----d up horny one. He starts playing these sexually charged games with Caretaker lady, pushing the envelope to see what she'll do. Or what she's willing to put up with. I mean, its a differently angled version of what The Widower is doing anyway, getting Caretaker Lady to participate in the male gaze with him, even though he's her employer. She's definitely aware and participating in that, but who knows how she's compartmentalizing that extremely healthy power dynamic in her head. Of course, this movie's bit is that the Tween Protag is doing his dad's game, but better. He makes his nanny do so much f----d up adolescent sex fantasy s--t, you guys.How do you think they end it? Think this movie is a bawdy light hearted sex comedy still? Think everyone will go their separate ways after learning an important life lesson? Think you'll walk away from this movie feeling assured that The Caretaker Lady's inner motivation wasn't written by a classic old school male chauvinist?I watched this movie in the original Italian--I don't speak Italian, by the way--with burned in subtitles of a second language that I can neither speak nor identify. On YouTube.

I saw on on the Canadian TV as a 15 or 16 year old, and the movie had all the elements of sexual curiosity, excitement of a teenage boy. The object of his desire was a mature woman who knew how to dress in sexy stockings, who herself had sexual desires but social dignity to suppress them. The hand job under the dinner table was the best. I could feel the inner turmoil of the boy as well as the maid woman. The best of its kind.The father of the boy, on the other hand, seems totally absent-minded, totally unaware of the sexual dynamics going on between his son and his bride-to-be. The woman does not say many things in the movie. But she is mature and patient. She doesn't succumb to the boy's sexual advances but she deals with him on her terms. Women are wiser than men.

After watching Sergio Martino's disappointing Giallo film Torso,I decided to take a look at what other titles co-starring actress Tina Aumont had made.With having heard on Kim Newman and Alan Jones commentary for Dario Argento's wonderful Horror Suspiria,that Tina Aumont was offered a lead role in the title,I was delighted to discover that Aumont had worked with The Bird With The Crystal Plumage (Argento's directing debut) cinematography Vittorio Storaro on an enchanting sounding Erotic Comedy Drama,which led to me getting ready to meet Malizia for the first time.The plot:Sitting in the back of his dad's (Ignazio La Brocca) car after attending his mums funeral,14 year old Nino La Brocca is caught by surprise,when a strange woman sits by him.Transfixed by the woman's legs,La Brocca puts all memories of the funeral aside,and places a hand in between the woman's legs.Getting out of the car,Nino and his brothers Enzino and Antonio are given the surprising news by their dad,that the strange woman is called Angela,and that due to the tragic passing of his wife/their mum,that Angela will be the permanent maid of the household.Keeping Nino's earlier voyeuristic interaction with her under wraps ,Angela soon begins to become a part of the family,by taking care of them,and every single other thing around the house.Whilst Angela focuses on keeping the house clean,Nino finds his interest in seeing more of Angela's skin to become a bit of an obsessive lust for Angela.Feeling in need for their to be a 'woman's touch' in his life, Ignazio proposes to Angela that they both get married.Being whisked off her feet by Ignazio's shocking proposal,Angela happily accepts,and begins to set out plans for her and Ignazio's bright future together.Furious over his dad soon getting a permanent grip on 'his' Angela,Nino decides to take advantage of his past with Angela,as Angela begins to fear that she will have to remain a 'maid' for Nino for the rest of her life.View on the film:Whilst IMDb place the title under the 'Comedy' and 'Fantasy' genre listings,the screenplay by co-writer/ (along with Ottavio Jemma and Alessandro Parenzo) director Salvatore Samperi is actually a wonderfully uncomfortable Erotic Drama,with dashes of rustic Comedy and sly social commentary.Placing comedic elements at the start so as to allow the viewer to let their guard down,the writers gradually peel away the light-heart suggestion of Igbazio's wife being a 'ghost' on the family house,by showing the dangerously obsessive lust the Nino has ever since coming into contact with Angela at the drive from the funeral.Slowing turning the tension up between Nino and Angela,the writers take the film in an unexpected Horror direction,as Nino begins to reveal to Angela how (paternally) deadly his obsession has become,and how determined he is for Angela to never rise above her social class.Closely working with cinematography Vittorio Storaro,director Salvatore Samperi gives the film an dazzling Baroque stylized appearance,with Storaro and Samperi superbly using strong,crimson autumn colour's to display the fiery lust building within Nino.Along with the stylish colours (and being backed by a stirring score from Fred Bongusto) ,Samperi also superbly uses tight,closed in tracking shots to create a strikingly icy atmosphere which perfectly expresses the tight,closed-off relationship with Nino that Angela finds herself unwillingly in.Taking on a supporting role,the beautiful Tina Aumont gives the movie a much needed dose of flirty charm as Luciana,with Aumont's charismatic performance showing Luciana to be the only person who can get Nino's eyes off Angela.Avoiding the clear risk of simply making the character into an annoying brat,Alessandro Momo, (who sadly died in 1974 from a motorcycle accident,age 17) gives a fantastic performance as Nino,with Momo showing Nino's initial sexual awakening to gradually go in a much more darker,dominating direction,as Nino finds himself being unable to handle the image of anyone else getting to touch Angela,other then himself.Displaying her never ending legs in her very first scene,Laura Antonelli gives an excellent performances which touches on all sides of Angela's complex personality,with Antonelli matching her sensuality with Angela's charmingly outgoing personality,which is gradually replaced by a fearing isolation,as Nino starts attempting to grab Angela's sensuality all for himself.

Although this movie is ostensibly a comedy, I personally found it pretty perverse and disturbing at times. Laura Antonelli is a maid who comes to work for a grieving widower and his rather disturbed adolescent son. She soon finds herself engaged to marry the widower but at the same time being sexually black-mailed by the son. She finds a way to turn the tables on the latter (although you'll hardly feel to sorry for him).The idea of a young boy losing his virginity to his stepmother-to-be seems pretty perverse, especially today, but there's also a scene where the boy and his overweight friend spy on the latter's slumbering and half-nude sister (who he later takes on memorably sexy bike ride). The sister is played by a young Tina Aumont, so you not only get a double dose of incest but a little Lolita with your Madonna.This is the movie that made Antonelli an international sex star and features the famous scene where she's standing on a ladder in a short skirt and no underwear, but frankly she's a lot more memorable in other films I've seen like "Venus in Furs", "The Divine Nymph", "The Venetian Lady", and even Lucio Fulci's "The Eroticist". This also doesn't really quite make it as a comedy (although these dark and perverse continental variations are almost always preferable to the painfully unfunny American and British variety). It functions somewhat as a coming-of-age film I guess, even if the disturbed young protagonist isn't necessarily a very sympathetic character. You could do worse I suppose.