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A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

Claude Brasseur as  François Beretton
Brigitte Fossey as  Françoise Beretton
Sophie Marceau as  Victoire Beretton, dite Vic
Denise Grey as  Poupette, l'arrière grand-mère de Vic
Jean-Michel Dupuis as  Étienne, l'ami dentiste de François
Alexandre Sterling as  Mathieu
Sheila O'Connor as  Pénélope Fontanet
Alexandra Gonin as  Samantha Fontanet
Frédéric de Pasquale as  Antoine
Laurent N'Diaye as  Arnaud

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Reviews

Karl Self
1980/12/17

I grew up in the 1980ies and didn't see the movie until now. I have to admit that, despite the hype at the time, it's a decent coming-of-age movie which ended up setting the script for all the teenage romcoms to come. To my surprise, the travails of young Vic are buffeted by the adventures of her patchworkish family, with her philandering father, her economically struggling mother and her funky grandmother. Unusually it depicts the (naturally rather tame) love adventures of 11 to 14-years-olds, in other words the deal is the first kiss on the mouth here, whereas modern movies either cater to kids or senior to college level young adults, where much more risqué humour is viable.What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.Some things I found especially noteworthy:* the characters eat noodles all the time; even steak with noodles* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school

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gdeangel
1980/12/18

Like many, I recall watching this film as a teenager in French class at a US high school. At that time, the appealing qualities for me were the "kids just trying to have fun" elements: the discotech dance parties, and the effusive French culture which at the time (anyone still remember the Cold War?) showed the affinity of the western world states for their different social values.I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).

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as20
1980/12/19

A bit of my youth. Always feel a bit nostalgic watching this. 6 or 7 /10 for the film, 10/10 for the nostalgic part of me.Sing with me people :Met you by surprise, I didn't realize that my life would change forever Saw you standing there, I didn't know I cared there was something special in the air Dreams are my reality, the only kind of real fantasy Illusions are a common thing I try to live in dreams It seems as if it's meant to be Dreams are my reality, a different kind of reality I dream of loving in the night And loving seems alright Although it's only fantasy If you do exist, honey don't resist show me a new way of loving Tell me that it's true, show me what to do I feel something special about you Dreams are my reality, the only kind of reality may be my foolishness has past And may be now at last I'll see how a real thing can be Dreams are my reality, a wonderous world where I like to be I dream of holding you all night and holding you seems right perhaps that's my reality Met you by surprise, I didn't realize that my life would change forever Tell me that it's true, feelings that are cue I feel something special about you Dreams are my reality, a wonderous world where I like to be Illusions are a common thing I try to live in dreams although it's only fantasy Dreams are my reality, I like to dream of you close to me I dream of loving in the night and loving you seems right Perhaps that's my reality

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Céline
1980/12/20

"La Boum", while not being a complicated or serious movie, does have its good points. Sophie Marceau as Vic acts out quite well how Vic reacts to her parents' crumbling marriage and her excitement over developing her relationship with her new boyfriend, Mathieu. There are practical jokes throughout the movie, and also a lot of teenage angst drama. This is basically a movie to watch when you want to be entertained instead of watching a serious movie.

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