When emerging fashion model Emma gets a chance to pursue her dream of becoming an international top model, she leaves her everyday life in Denmark behind, and moves to Paris. At a photo shoot in her new hometown, she meets the attractive photographer Shane White and they fall in love. But their relationship soon turns into a dangerous obsession for Emma.
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Every girl should watch this movie carefully. This show who are the cheaters and who are the real lovers.
I voted 7 of 10 cause it has a message .Basically it's an emotional roller-coaster where you are trying to decide if you should hate or feel sorry for the main character .Well.. i don't do reviews , but there are at least 700 movies i liked more , but i bothered to review this one .I'm not sure how well it reflect the reality of a young model in Paris , but certainly it's disturbing . It's not your standard issue action , comedy , or romance movie , and that is why is so captivating .Earlier i mentioned it's a 'rollercoaster' , well it's a special kind . After each loop , the actions become even more disturbing , until it reaches it's climax , but even after that , a phone call arrives . After so many messed up and unfortunate events the main character gets it's lifetime opportunity . And we are left hanging on this last choice of hers ( accepting or refusing ), as we don't get a response . It leaves you really thinking about things that are not obvious for the ordinary people and what hides under the smile of a supermodel (or it could be a cliffhanger for the second part , who knows...)
A 2016 movie about a young model who is taken advantage of (a little) by some of the people she meets in Paris... I agree with the previous reviewer; it's well made, good story line, well acted, giving a balanced picture of the modelling industry, and one girl's story of how things can go wrong, & survival. There was another 2016 movie about a model, "Neon Demon", and this was 100 times more worthwhile, and probably cost a lot less to make! The audio & visual impact of Neon Demon was awesome, but it was a hollow waste of time, and the publicity machine made it look attractive. If "The Model" was treated the same way, it would still have been good, but it didn't need the gloss or powerful audio track to make it work. Some of the dialogue is in Danish, but you don't really need subtitles to understand what's being said.
'The Model' opens with shots of city streets - but what city? It's not New York - no gleaming skyscrapers - and those narrow, hilly streets belong to neither London nor Copenhagen (this is a Danish film). Actually, it is Paris - director Mads Matthiesen fooling the viewer by ignoring the film convention that every establishing shot of the French capital must feature the Eiffel Tower. The story follows Emma, a painfully slim young Dane, who arrives in the city ready to begin her career as a fashion model. Her supporting cast are quickly established - Zofia, a prickly fellow model who becomes her friend; and a fatherly landlord. Her first shoot, with temperamental British photographer Shane, does not go well, but one dance at a nightclub later and Emma is not only Shane's favourite model but is also tumbling into bed with him. Soon she is swept up in an exciting lifestyle of glamorous fashion shoots, girly confidences with Zofia and parties where dishes of cocaine are presented as interesting table decorations.To be frank, the film is not a success. The storyline is very soapy, but the pacing is slow in far too many places. This is partly because central character Emma, as played by Maria Palm (a real-life model), is rather glum and lifeless, wafting about the screen like a floaty curtain (but Palm deserves credit for acting not just in her native Danish, but also in English and French). The viewer's feeling that he's watching a soap opera is reinforced by Ed Skrein as Shane, whose husky voice and showy mannerisms are straight out of 'Hollyoaks'. The story does not share with the viewer the legal ramifications for Emma of the climactic scene (you'll know when you've reached it) and there's a very noticeable continuity error when, during a conversation between Emma and Shane, the camera focuses on the back of the latter's neck - in one shot the label of his T-shirt is sticking up, in the next it's no longer visible - a minor thing, admittedly, but one I found distracting. All of which means I'm marking this film 'must try harder'.