In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
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a film about people. relationships, feelings, gestures, reactions, answers to the reactions of the other. absurd, chaotic, without coherence. not surprising because it is only a film about ordinary people living together. a dark comedy, a childish game who seems be more improvisation, it is a strange artistic delight . and this is its basic virtue. to be an open door to an universe who mix love story with savage habits, food with eccentricity , fear with a sort of carnival. so, a show about simple people who is more expression of imagination, seductive for the puzzle of images, great for the references to the world of circus, great for the delicate portrait of hidden aspects of life, taboos. a form of experiment. and this is its the significant good point.
Only the French could have made this brilliant little film. I can pretty much guarantee you've never seen a movie quite like this one. I own over 1,400 movies and Delicatessen is my absolute favorite... and it's even better the second or third time around. Yes, it's a very dark movie but it's also romantic, funny, and thought provoking. The best and worst of human nature are highlighted along the way. Several of the scenes can best be described as pure magic! The cinematography throughout is excellent and even the opening credits are brilliant. If you're a fan of wonderful, quirky little movies Delicatessen is not to be missed. Hint: Pay extra attention to what's on the televisions in the background.
In a post-apocalyptic France of the future, meat has become exceedingly rare. So much so that it now can be used as currency. The residents of an apartment block above a deli have come to depend heavily on the strange man, Clapet (Jean-Claude Dreyfus) employed as their butcher. Then one day an entertainer named Louison (Dominique Pinon) comes to the place to accept a job as a handyman. Louison finds himself quite taken with Clapets' sexy daughter Julie (Marie-Laure Dougnac), but his new life may not be what it's cracked up to be. He may have some other purpose in the building other than odd jobs.At its best, this completely off the wall and extremely stylized French take on post-nuke and cannibal cinema is one of the most original films of its kind. The co-directors, Marc Caro and Jean-Pierre Jeunet, give "Delicatessen" a striking visual design, largely avoiding cool colours like blue (although there are occasional flashes of green); the colour palette consists of a lot of yellows, oranges, reds, and browns. It's a clever hook, but also making this a worthy entertainment are the incredible energy and the consistent tone of dark, and farcical, humour. There's nothing else this viewer has seen that is quite like "Delicatessen", and that can only be a good thing.The performances themselves are very stylized, with the well chosen actors going for broke a lot of the time. Pinon and Dougnac are appealing in the leading roles. Also leaving a big impression are Dreyfus, Karin Viard, Ticky Holgado, Anne-Marie Pisani, Howard Vernon, and especially Silvie Laguna as the troubled Aurore, driven to stage very elaborate suicide attempts by "voices". Caro can be seen on screen as Fox, one of the cave dwellers.Caro and Jeunet are able to reach some appreciable heights of lunacy here, matched by the wonderfully memorable imagery throughout.This one gets a solid recommendation.Eight out of 10.
DelicatessenIn a post-apocalyptic future the world's Cheez Whiz supply would have to be used to re-caulk all the buildings.Thankfully the tenants in this sci-fi comedy don't have to lick cracks for sustenance.On the ground floor of a dilapidated apartment is a butcher (Jean-Claude Dreyfus) who always has fresh meat despite there being a food shortage.Answering an ad in the newspaper, Louison (Dominique Pinon) lands the job of assistant to the butcher.Eventually Louison's charms win over the butcher's daughter Julie (Marie-Laure Dougnac). But with her father planning on putting Louison on the menu, she seeks the assistance of an underground cell of rebellious vegetarians. Conceptualized by the director of Amélie, Delicatessen is a quirky cannibal love-story crammed with eccentric characters that never takes itself too seriously, or too lighthearted.Furthermore, with all the hormones and preservatives we ingest, human meat would have a very long shelf life.Green Lightvidiotreviews.blogspot.ca