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Angie lives in Bensonhurst, Brooklyn, and dreams of a better life. When she finds out she's pregnant by her boyfriend, Vinnie, she decides she'll have the baby; but not Vinnie as a husband. This turns the entire close-knit neighborhood upside-down and starts Angie on a journey of self-discovery.

Geena Davis as  Angie Scacciapensieri
Stephen Rea as  Noel Riordan
James Gandolfini as  Vinnie
Aida Turturro as  Tina
Philip Bosco as  Frank Scacciapensieri
Jenny O'Hara as  Kathy
Michael Rispoli as  Jerry
Betty Miller as  Joanne
Ray Xifo as  Dr. Gould
Rae Allen as  Aunt Violetta

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Reviews

Harriet Deltubbo
1994/03/04

It will bring you to tears and make you laugh. Angie lives in the Bensonhurst section of Brooklyn and dreams of a better life than everyone she knows. When she finds that she is pregnant by her boyfriend Vinnie, she decides that she will have the baby, but not Vinnie as a husband. This turns the entire neighborhood upside down and starts her on a journey of self discovery. This kind of sentimental character piece needs a tight focus so all of the nuances of the characters shine through. The characters in this film have a lot of depth, and that makes all the difference. I give this one a rating of 7 out of 10.

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moonspinner55
1994/03/05

Comedy-drama from talented if erratic director Martha Coolidge concerns a modern Italian-American working woman in Brooklyn, pregnant and unmarried, finding herself curious about the mother who abandoned her and her father years before. Begins brightly, with Geena Davis seemingly well-cast in the lead, but it quickly becomes mired in colorless sub-plots (including the woman's resentful best friend and her abusive husband, a schizophrenic mother, a needy stepmother, a malformed infant, and a married boyfriend!). By the midway point, Davis begins to struggle in her role, pushing her pivotal moments too hard and losing her innate likability. Worse, this scenario is far too neat and tidy--and when the actors aren't being overly 'cute', they're screaming senselessly at each other. Sadly, "Angie" bombs out. *1/2 from ****

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Blooeyz2001
1994/03/06

Originally intended for Madonna (who can't act & would have definitely STUNK!), this was an excellent role for Geena Davis. "Angie" is a film about an Italian/American woman from the Bensonhurst section of Brooklyn, N.Y. Her mom left her when she was a child & because of this she has a romanticized notion of her mother & a deep fear of abandonment. She wants more out of life than her working class plumber boyfriend (and father of her child) can offer her so she falls in love with a lawyer from Ireland while pregnant(someone as far removed from her Brooklyn world as possible!) After the baby is born, the lawyer dumps her & she also feels rejected by her son (you'll have to see the movie to find out why) so she heads off to Texas to finally face her mom for some type of closure. Yes, this character's angst & situations can be overwhelming , but real life can be like that too sometimes. The musical score, by Jerry Goldsmith, is excellent (particularly "Angie's Theme") & compliments the movie wonderfully. The movie also has a knack for capturing the New York Italian/American experience authentically. At times, "Angie" feels like a hybrid of other films ("Working Girl", "Beaches", "Saturday Night Fever", "Moonstruck" & "Pretty Woman") but it works. (This film is based on the novel "Angie, I Says" by Avra Wing. In the book the main character's name is Tina Scacciapensiari & her best friend's name is Angie. The first names of these characters were switched for the film).

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ghariton
1994/03/07

The video box cover promised hopeful viewers that the film contained inside was "a heartwarming story brimming with irrepressible fun. This was not so. We laughed at the movie, but certainly not with it. Telling the story of a hysterical, irresponsible and certainly resistable woman, this movie may be praised by critics but whatever quality they saw in it must have wound up on the cutting room floor. The characters are unlikable and obnoxious, the plot meanders without ever deciding where it wants to go, and sheer lethargy kept us from doing what we should have done five minutes into the film and shown our VCR some mercy. Do yourself a favour and avoid this mess, whatever the video box may say.

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