A neurological pandemic has consumed the population. Drug-resistance has mutated the virus into a ravaging psychological plague, rendering the 'the dying' desperate, paranoid and violent
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I went into this film knowing nothing about it but the description in Netflix. It starting out promising with an eerie, engaging introduction of the main characters and their situation. The mood was intense and the images surreal. However, at the 45 minute mark, I started to lose my patience as the plot stubbornly refused to progress. After an hour, finishing the film had become a gauntlet and done only out of spite. The ominous music cues kept promising something that was never delivered. The actors may have uttered some interesting lines but if they did I certainly couldn't understand them. I like a grim, bleak glimpse of the future as much as the next guy but the storytellers are still responsible for propelling the action forward whether it is physical or psychological. And one final note on the soundtrack: As noted elsewhere, the soundtrack drowned out the dialogue throughout much of the film. No matter how loud I put it, I couldn't make out the actors lines because the music was louder. Regardless of budget, that is inexcusable. Ultimately, a nice try that wore out its welcome half way through.
Reading some of these reviews it seems like some other reviewers just want to add big words to make themselves look like they're some kind of 'serious' movie know-it-all. Gimme a break!This film was made in 2 weeks on a £4,000 budget. Those 2 snippets of info should have been a bit of a hint at what kind of production this was gonna be. Yeah the story runs along the lines of 28 Days Later, so what? It's not as if 28 Days Later was the first film to use the virus/living dead scenario, and I doubt this will be the last.The story is a simple one. Virus on the loose, survivors hiding in an attempt to stay alive. If you're looking for a blood soaked zombie flick then pass on this and pick up Dawn Of The Dead. If you're looking for an indie flick that focuses more on the psychological horror of the survivor's situation then you'll enjoy this. OK it's not gonna win any Oscars, but hey, neither did The Shawshank Redemption!
This is one of the better low budget horror movies I've seen. The plot has been covered elsewhere, I'll just mention what I liked about it. The whole film is story and character, with plenty to spare. The characters are interesting, the story is original. You can get into this movie, feel for the characters, wonder what might happen next. They obviously didn't spend a lot of money on it, but they did use some talent and it shows.I would, and probably will, watch this again. It's good enough to play in the local theater and make some money. There are a lot of big-budget Hollywood types who should watch this and see what it does right.
Completely derivative, and not very rewarding. Although the talent of the filmmakers involved is evident, they sabotage themselves by working with completely empty content. Badly written, badly acted and repetitive, the film failed to justify its running time. THE DEAD OUTSIDE works for about 15 minutes, after which its lack of momentum makes it hard to sit through. I suspect it would probably have made a good short film, however.It has been mentioned that the film "expects a lot from its audience", but this isn't quite true. There was far too much exposition in some scenes. The characters and their stories are simply not very interesting. It's a common thing to see in an indie, but the extent to which bad acting can weigh down even a good script *cannot* be overstated. I'm sure THE DEAD OUTSIDE will be the cast and crew's ticket to bigger/better things, but as a cinema experience it simply is not up to par.I'll try and contextualize my score by listing scores for the last couple of indies I've seen: RULE OF THREE (Eric Shapiro). Good acting for an indie. Reasonably good Script. Terribly shot, terrible music. 5/10 INK (Jamin Winans). Some pretty good ideas, hugely ambitious and elaborate production. Weak execution and bad acting. 5/10 SHALLOW GROUND (Sheldon Wilson). A bloody mess. Nonsensical plot. An exercise in pointlessness. 3/10 THE DEAD OUTSIDE (Kerry Anne Mullaney). A technically competently lensed film, but lacking any real focus or originality. Badly acted, boring script, repetitive sound design. 4/10