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Trailer Synopsis Cast Keywords

When Harry Levine, an aging, unsuccessful Greenwich Village writer, is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt.

Al Pacino as  Harry Levine
Jerry Orbach as  Jake Manheim
Susan Floyd as  Joanna
Ellen McElduff as  Mavis
Paul J.Q. Lee as  Counterman
Christopher Evan Welch as  Hamlet Actor
Neal Jones as  Etecoles / Actor in Play
Laura Esterman as  Actor in Play/Messenger
Hazelle Goodman as  Cafe Dante Waitress

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Reviews

leplatypus
2000/09/02

For his 2nd movie, Al gives us an unusual movie, maybe imperfect but original and totally personal. We are far away of a big production and big issues as the movie is a nightly discussion between two friends that have real troubles to live with their art. Honestly, I see no difference between this fiction character and the real Al that was unveiled in his first movie: Al is a simple guy that loves NYC and his passion is more for stage than acting. Nowadays when stars are obsessed with their look, Al just doesn't care, even if his bent attitude and ugly clothes, he may look as a tramp. It's funny to see that getting older, he has gone from godfather, mayor, the devil to lefty, Shylock and this penniless beret writer! In a funny way, he's like an old Serpico who hadn't leave his basement accommodation! However, inside, he's still the same great guy: supportive, helpful but sometimes a bit grumpy and always ready to scream! But, what the heck, we are humans so imperfect and it's better to be straight and noisy than devious and smiling! Thus, even if the stage is minimal and narrow, we have access to all those nuances from Al and his buddy is great to share the ball. There are even funny moments and a good reflexion about artists' condition. In a way, Al didn't look for big effects but true, simple moments. It may be a waste but finally, it's like you can share a evening with him, talking about life and nothing, and thus it's infinitely valuable.

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puttputtk
2000/09/03

Chinese Coffee (2000)5 word summaryfriends argue about their lifeChinese Coffee is an interesting movie. If you read what its about or even watch it it seems like it should be boring but for some reason its not. Al Pacino and Jerry Orbach play two old friends who sit and talk for an hour and a half. They talk about their past, money and Harry's (Pacino) new book. That's pretty much it. 2 guys in a room talking, and somehow it's really entertaining. The movie is based on a play, which makes sense, it just doesn't seem like one that would become a good movie, but it does. The style of Chinese Coffee reminded me of Who's Afraid of Virginia Woolfe, it's not as good but both are very play like and are mainly set in one room and completely dialog driven. Al Pacino and Jerry Orbach both had great performances. I would actually consider this Pacino's last great performance, but hopefully that will change soon.So if you like Al Pacino or Jerry Orbach try to find this film. Especially since it's one of the only movies Pacino directed. Hopefully this film is carried more places soon because it really is worth watching. I had to order it off ebay just to see it.8/10

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CRCFleetwood
2000/09/04

I just watched this on DVD, and although it offered some interesting moments and insights, the dialog felt forced and the two main actors, both of whom have done great work in other projects, didn't seem to click. On the DVD, there's an epilogue in the "features" section in which Pacino, who also directed, wondered whether there were too many flashbacks. Actually, I thought the flashbacks were enlivening, enabling the story to be more involving than it might otherwise have been. Pacino also mentions that because of Orbach's "Law and Order" shooting schedule, they were forced to film 84 pages of dialog in 21 days, perhaps explaining, at least in part, why the film feels a little undercooked.

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futures-1
2000/09/05

A Broadway play turned into a film starring Al Pacino and Jerry Orbach. Think of this script as sort of a "Who's Afraid of Virginia Wolf" between two heterosexual men. In the span of two hours (with flashbacks) layer after layer of their relatively short friendship is peeled away to raw feelings and pseudo-honest expressions until a few truths may have been reached. My only problem with it is in the style of the dialog – much of the time feeling the scripts are invisible but right in front of them. The timing is too "ready" and snappy, the comebacks polished, the exchanges sculpted with care. Had it (they) been relaxed, awkward, slow to respond, overly fast to respond, etc., I could've believed it. As it is, I never lost awareness this was a staged play.

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